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NTWAB Members Layden, Law, Penna Among 2022 Media Eclipse Awards Winners

The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2022 Media Eclipse Awards in six categories.


Writing – Feature/Commentary – Tim Layden – “Beneath the Super Bowl’s Turf: The Ghosts of Hollywood Park,” NBCSports.com, Feb. 8, 2022. 


Writing- News Enterprise – Tom Law – “Big Tally,” Mid-Atlantic Thoroughbred, July 1, 2022


Audio/Multimedia – Horse Racing Radio Network (HRRN) – Breeders’ Cup World Championships, Nov. 5, 2022

Mike Penna, HRRN President


Live Television Programming – NBC Sports Breeders’ Cup World Championships Nov. 4-5, 2022

Lindsay Schanzer, NBC Sports Producer of Horse Racing


Feature Television Programming – NBC Sports – “Cody’s Wish” Nov. 5, 2022

Jack Felling, Coordinating Producer


Photography – Wendy Wooley – “Elbow Room Please,” The Paulick Report, Oct. 1, 2022.


Media Eclipse Award winners will be presented their trophies at the 52nd Annual Eclipse Awards Ceremony and Dinner at The Breakers Palm Beach in Florida on Thursday, Jan. 26. 

 

Feature/Commentary Writing – Tim Layden


Tim Layden, a writer-at-large for NBC Sports and an NTWAB member, won his third Media Eclipse Award for “Beneath the Super Bowl’s Turf: The Ghosts of Hollywood Park,” which was published on NBCSports.com on Feb. 8, 2022. Layden, from Simsbury, Conn., won his first Eclipse Award in 1987 for Newspaper writing for Capital Newspapers in Albany, N.Y., and in 2018 for Sports Illustrated, for his Feature/Commentary article on track announcer Charles “Chic” Anderson. 

 

“I'm happy for, and thankful to the people at NBCSports.com, who gave me a place to publish my work after I left Sports Illustrated and have been unfailingly supportive,” said Layden. “It's a thrill to see that work recognized, not just because we all like to be recognized, but also because of NBC's enduring relationship with racing.”


Super Bowl LVI in February 2021 was being played at SoFi Stadium in Inglewood, Calif., which was once the site of Hollywood Park, one of America’s most prominent and successful racetracks of the 20th Century, with the biggest names in show business enjoying such outstanding horses as Seabiscuit, and Triple Crown winners Citation, Seattle Slew and Affirmed. Hollywood Park hosted the first Breeders’ Cup in 1984.

 

“NBC owned the rights to Super Bowl LVI at SoFi Stadium. Ron Vaccaro, NBC's Vice President for Content, who I work with frequently, wondered if there might be something to write about the fact that SoFi Stadium sat on the ground that once was Hollywood Park,” Layden recalled. “It was a terrific idea. I love stories that connect the present to the past, and I had seen the old Hollywood Park, and like so many other frequent travelers, had watched the transformation during the approach to the LAX, where you could look down and see it happening.”


In his article, Layden drew a picture of the workmanlike atmosphere of Hollywood Park through the words of Hall of Fame Jockey Laffit Pincay, Jr., two-time Kentucky Derby winning trainer Doug O’Neill, and John Shirreffs, who trained Horse of the Year Zenyatta at Barn 55.   

 

Honorable mention in the Feature/Commentary category went to three-time Eclipse Award winner Natalie Voss for “After Rough Entry To The World, ‘Gumbo’ The Colt Is Overcoming The Odds,” which appeared in the Paulick Report on Sept. 5, 2022, and to former Eclipse Award winner Bryce Miller for “Complicated Case of Horse Racing Trainer Peter Miller Returns to Del Mar,” which was published in the San Diego Union-Tribune on July 21, 2022.

 

Judges in the Feature/Commentary category were Reid Cherner, former sports and racing writer, and columnist for USA Today; Tom LaMarra, Director of Communications and Backstretch Services for the Maryland Thoroughbred Horsemen’s Association; and Amy Owens, Communications Associate at Keeneland.

 

News/Enterprise – Tom Law


In “Big Tally,” Tom Law, born and raised in Saratoga Springs, N.Y., covered the 2022 Preakness Stakes for Mid-Atlantic Thoroughbred and reported on the victory by Klaravich Stable’s Early Voting in the second jewel of racing’s Triple Crown at Pimlico Race Course in Baltimore, Md. This is the second Eclipse Award for Law, who shared the 2011 Audio/Multimedia and Internet Award with Greg Charkoudian of Thoroughbred Times, where he worked for more than 14 years in Lexington before joining ST Publishing as Managing Editor in 2012.


“Winning a second Eclipse Award is an incredible honor, and especially satisfying to be recognized for the coverage of a historic event like the Preakness,” said Law, who serves and has served for multiple terms as NTWAB president.


Enveloping crisp race reporting, Law bolstered his piece with quotes from winning trainer Chad Brown’s decision to skip the Kentucky Derby for Early Voting, and his preparations prior to the Preakness in Baltimore. Law also brought to light jockey Jose Ortiz’s decision to take the mount on Early Voting, and his calculated ride to victory.

 

“One of the many things I've learned working with colleagues, friends, and partners Joe and Sean Clancy for more than 10 years is there's always a story behind the story, and probably even another story,” said Law. “That was the case with Early Voting and his connections, who kept the colt in New York for the winter, skipped the Kentucky Derby, and were rewarded for those moves in the Preakness. Jockey Jose Ortiz also provided great insight into his early impressions of Early Voting and a short conversation with him an hour after the race laid the groundwork for my coverage.”


Honorable mention in the News/Enterprise category went to five-time Eclipse Award winner Jay Hovdey for “Flightline Lands a Special Place in History,” which was published in the BloodHorse Daily on Sept. 4, 2022, and to Paul Halloran for “Fairytale (scroll down online at This Is Horse Racing),” about Cody’s Wish, which was published in the Saratoga Special on Aug. 31, 2022.


Judges in the News/Enterprise category were Bob Kieckhefer, racing writer for United Press International; NTWAB member Dan Liebman, former editor of The BloodHorse and The State-Journal in Frankfort, Ky., and Robert Yates, writer for Oaklawn Park Media Relations and also an NTWAB member.


Audio/Multimedia – Horse Racing Radio Network (HRRN)


Horse Racing Radio Network has won its third Audio/ Multimedia Eclipse Award for its live broadcast of the Breeders’ Cup World Championships on Nov. 4-5, 2022 at Keeneland Race Course in Lexington, Ky.


“To be honored with a third Eclipse Award is extremely special,” said HRRN President and broadcast anchor Mike Penna, also a member of NTWAB. “When we launched HRRN nearly 20 years ago, our only goal was to create something that would help the sport in some way. Thanks to the support of our sponsors, our listeners, and everyone who has ever taken the time to join us as a guest on our shows, we have been able to continue to tell the stories which make our sport great. We are truly grateful and humbled to be recognized once again.”


The 2022 Longines Breeders’ Cup Classic was one of the most anticipated races of the season, headlined by the remarkable Flightline, who was undefeated in five career starts prior to the race. HRRN reached behind the scenes with pre-race interviews with Flightline’s co-owner and breeder, Jane Lyon, and produced a feature telling the story of Flightline as a baby before he became a star on the track.


While Flightline was the primary story line associated with the Classic, the HRRN team also spoke to connections of his talented rivals, which included WinStar Farm’s CEO Elliott Walden and their four-time Grade 1 winner Life Is Good. Trainer Eric Reed discussed Kentucky Derby winner Rich Strike and the possibility of wrapping up a three-year-old championship with a Classic win, as well as discussions with Hall of Famers Todd Pletcher, Steve Asmussen, and Mike Smith. Immediately after the race, John Velazquez, who rode Happy Saver, shared his thoughts on Flightline and what it was like competing against him.


In addition to Penna, the HRRN analyst team included Bobby Neuman, NTWAB member Jude Feld, and Jeff Bloom. Keeneland announcer Kurt Becker provided the live call of the Breeders’ Cup Classic. The broadcast was produced by Lee Dellapina along with engineer Shawn Seay. Production assistance was contributed by Feld, Justin Taylor, Keith O’Brien, Fanny Salmon, and Michelle Penna. 


Honorable mention in the Audio Multimedia category went to Horse Racing Nation for “Jockey gets her 1st Saratoga win on filly trained by her dad,” about Robbie Davis and his daughter Jackie. The video was produced by Andrew Capone and was posted on Aug. 13, 2002.


Judges in the Audio/Multimedia category were Glenn Crouter, former lead television anchor for Woodbine Live Network and sports and lifestyle announcer for Newstalk 1010 in Toronto; Bob Curran, longtime Vice President of Corporate Communications for The Jockey Club and graduate of the St. Bonaventure University journalism program; and NTWAB member Julie Sarno, freelance writer, a former editorial staff member of The BloodHorse, staff member at The Meadowlands, and staff member and Department Head at Del Mar.

 

Television - Live Racing Programming - NBC Sports


For the third consecutive year, NBC Sports has won the Eclipse Award for Live Television Programming for its broadcast on NBC, Peacock, and the USA Network, culminating its two-day coverage of the 39th Breeders’ Cup World Championships from Keeneland Race Course in Lexington, Ky., with the scintillating performance of Flightline in the Longines Breeders’ Cup Classic.


Continuing to provide its audience with technical innovations and multiple viewing opportunities, NBC Sports employed unique perspectives from the track with access to approximately 75 video sources, including multiple live jockey cams and jockey and trainer/owner mics; a backstretch camera; jockey cams connecting to real-time data that allowed viewers to see graphic overlays on replays, including speed, current position, distance from the leader, and distance from the finish; and a megaladon camera to share live-action footage of the fashion and flavors surrounding the event.


For individual access to the horses, NBC Sports utilized Breeders’ Cup Contender Cams, featuring paddock ISO cameras and front-side ISO roof cameras. For the first time, NBC Sports added a side set with a full-screen telestration monitor for our two desk analysts to be able to take a deep dive into each Breeders’ Cup race.


“At NBC Sports, we are grateful to be a part of the biggest horse racing events in the country – and this year’s Breeders’ Cup capped them all off with an absolute flourish,” said NBC Sports Senior Producer of Horse Racing Lindsay Schanzer. “The entire weekend was a thrill, highlighted by the inspirational story of Dirt Mile winner Cody’s Wish and his namesake Cody Dorman, and the otherworldly Flightline finishing his illustrious career with a dominant win in the Classic. These are the moments you dream about covering in sports and in racing. We are incredibly proud of this broadcast and thank our NBC Sports colleagues and our partners at Breeders’ Cup for all of their efforts to make this possible.” 


Joining Schanzer on the production team were director Kaare Numme; assistant producer Caroline Sayer; assistant director Jared Sumner; associate director Jeff Burriesci and editorial producer Amy Zimmerman.


The NBC talent team was comprised of Ahmed Fareed, Jerry Bailey, Matt Bernier and NTWAB members Randy Moss, Britney Eurton, Donna Brothers, Kenny Rice, Nick Luck, Steve Kornacki, and Larry Collmus.


Judges in the Live Television Programming category were Jeannine Edwards, multiple award-winning reporter, and analyst for ESPN from 1995-2018; NTWAB member Dick Jerardi, who covered more than three decades of Triple Crown and Breeders’ Cup races for Philadelphia Daily News; and Chris Svendsen, Director - CBS Sports.

 

Television Feature – NBC Sports


In “Cody’s Wish” NBC Sports produced a feature, which aired on USA Network on Nov. 5, on one of the most heartwarming stories of 2022 about teenager Cody Dorman, and the racehorse Cody’s Wish. Cody Dorman was stricken at birth with Wolf-Hirschhorn syndrome, a genetic disorder that affects many parts of the body. At age 4, in a chance visit through the Make-A-Wish Foundation, Cody went to Gainsborough Farm in Versailles, Ky., and immediately bonded with a young foal, who was later named Cody’s Wish.


After Cody’s Wish began racing Cody came to see him win his first race at Churchill Downs in 2021. Cody went to subsequent races to see Cody’s Wish win twice more. After the segment aired, Cody was also at Keeneland to see Cody’s Wish win the Big Ass Fans Breeders’ Cup Dirt Mile at Keeneland during the World Championships.


“For as long as I’ve been working on horseracing, I can’t recall a connection between horse and human like the bond shared by Cody Dorman and Cody’s Wish. That horse has truly made a lasting impact on Cody’s life,” said NBC Sports Coordinating Producer Jack Felling, “Cody is such a courageous young man, and his parents, Kelly and Leslie, are two of the most selfless and loving people I’ve ever met on the job. The sight of the Dormans celebrating together after Cody's Wish won the Breeders’ Cup Dirt Mile is a scene I’ll never forget. That was horseracing at its very best. All of us at NBC Sports feel lucky to have had the chance to tell that story.”


“Cody’s Wish” was narrated by former NBC award-winning broadcaster Tom Hammond. Ryan Yeager was the editor. Lindsay Schanzer is NBC Sports Senior Producer for Horse Racing.


Honorable Mention in the Television Feature category went to ESPN for “Bob Baffert Conversation,” produced by Kristine Kugler, which aired on May 6, 2022.


Judges in the Television Features category were Liz Bronstein, television showrunner and executive producer, and creator of the Animal Planet 2008-09 series “Jockeys”; Bruce Casella, Television producer and director, Pushin a Rock Productions, and NTWAB member Lenny Shulman, an Emmy Award- winning writer, producer, author, and former senior correspondent for Bloodhorse.

 

Photography – Wendy Wooley


Wooley, from Lexington, Ky., has won her first Eclipse Award, for “Elbow Room Please,” a head-on photograph of the $500,000 Lukas Classic at Churchill Downs on Oct. 1, depicting a furious stretch battle between Kentucky Derby presented by Woodford Reserve winner Rich Strike and 2021 Kentucky Derby runner-up Hot Rod Charlie. Wooley’s image captured Rich’s Strike’s jockey, Sonny Leon, attempting to elbow jockey Tyler Gaffalione and his mount, Hot Rod Charlie, in the battle to the wire. Hot Rod Charlie prevailed in the Lukas Classic by a half-length.


“Winning an Eclipse Award feels surreal to me! It's an amazing honor,” said Wooley. “I'm a bit speechless. I grew up in the Detroit area as a typical horse-crazy girl. I always watched racing on television and I'll never forget when Affirmed won the Triple Crown. I got out of racing when my life had me going in a different direction, but then Barbaro reignited my interest. I started shooting racing in the Chicago area since that was the closest track for me at the time. It was fun and photographing horse racing is how I eventually met my husband, Matt, and moved to Lexington.” 


The Wooleys, full-time photographers working for many farms in Central Kentucky, run EquiSport Photos and have been shooting for the Paulick Report for nearly 10 years. 


They were at Churchill on Oct. 1 to primarily shoot the Ack Ack Stakes on assignment for the Breeders’ Cup Challenge Series race, but also took a great interest in the Lukas Classic, which was Rich Strike’s first race at Churchill since winning the Derby.


“Since I shoot with big glass (600mm lens) I usually like to shoot head-on,” Wooley remembers in setting up her shot using a Canon R3 camera. “So that's where I went, down at the clubhouse turn going around the turn enough so that I get them running straight towards me, and I couldn't believe what I was seeing through my camera while shooting.”


When Wooley returned to the Churchill Downs media center, she found multiple Eclipse Award-winning writer Jennie Rees and said "You've got to see this!" and showed her the whole sequence of images. “We both chalked it up to some rough race riding. I sent the image to the Paulick Report and Ray wrote me back with ‘this is a heckuva shot.’ That's when I knew it was a special image. I realized I was the only one with that angle too. No one else shot the head-on that day.”

 

Honorable Mention in the Photography category went to former Eclipse Award winner Scott Serio for his photo “The Coach” of Hall of Fame trainer D. Wayne Lukas, which appeared first on Hipismo.net on Nov. 15, 2022.


Judges in the category were Mark Abraham, freelance photographer and currently deputy director of the United States Senate Press Photographers’ Gallery; Rob Carr, Getty Images/Chief Photographer, Sports; and NTWAB member Mike Kane, veteran Thoroughbred journalist and photographer.


Edited release


By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
By Dick Downey January 21, 2025
Ed Bowen, a longtime NTWAB member, died on Jan. 20 at his home in Versailles, Ky. at age 82. His memory will be honored at the upcoming Eclipse Awards ceremony.
January 8, 2025
Lexington, Ky. (January 8, 2025) ―The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2024 Media Eclipse Awards in six categories.
January 5, 2025
The 2024 Eclipse Awards Finalists, with the exception of Horse of the Year, in alphabetical order.
By Natalie Voss January 2, 2025
The National Turf Writers and Broadcasters are pleased to announce the organization will support a record five internships at various horse racing media outlets in 2025.
December 18, 2024
Tim Layden, a member of National Turf Writers and Broadcasters, and former NTWAB members Ed Schuyler, Jr. and the late Edwin Pope have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.
November 22, 2024
Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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