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NTWAB Members Headline Media Eclipse Awards Winners

The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters announced the winners of the 2023 Media Eclipse Awards in six categories, led by several NTWAB members.

 

Writing – Feature/Commentary –  NTWAB member Tim Layden, NBCSports.com   "Maple Leaf Mel and the long arc of a horse racing tragedy," Nov. 1, 2023

 

Writing- News/Enterprise –  NTWAB member Sean Clancy, The Saratoga Special   “The Worst Test,” Aug. 6, 2023


Multimedia – TDN Writers’ Room Podcast – “Wade and Carson Yost,” September 20, 2023; Susan Finley, Publisher, Thoroughbred Daily News

 

Live Television Programming –  NBC Sports – “The Breeders’ Cup World Championships,” Nov. 3-4, 2023; Lindsay Schanzer, Senior Producer

 

Feature Television Programming –  Woodbine Entertainment: “SECRETARIAT The Last Race,”   Oct. 8, 2023. Airing on TSN (The Sports Network) in Canada. Tammy Gillanders, Producer

 

Photography –  Carolyn Simancik   “Trading Horse Paint,” (Cody’s Wish/National Treasure battle in Big Ass Fans Breeders’ Cup Dirt Mile) The Press Box, Nov. 4, 2023

 

Media Eclipse Award winners will be presented their trophies at the 53rd Annual Eclipse Awards Ceremony and Dinner at The Breakers Palm Beach in Florida on Thursday, January 25. 


 

Feature/Commentary Writing – Tim Layden

 

Layden, a writer-at-large for NBC Sports and NTWAB member, has won his fourth Media Eclipse Award for “Maple Leaf Mel and the Long Arc of a horse racing tragedy," which was published on NBCSports.com on Nov. 1, 2023. Layden related the story of Melanie Giddings, the trainer and cancer survivor of undefeated 3-year-old filly Maple Leaf Mel ― named after Giddings ― who suffered a fatal injury while leading the G1 Test Stakes at Saratoga on Aug. 5. Giddings’s love for her horse and dedication to her craft, and the painful memories of the incident, is interspersed in the article with a larger account of equine fatalities that took place at major venues during the past year.


Layden, from Simsbury, Conn., also won the Feature/Commentary Eclipse Award in 2022 for “Beneath the Super Bowl’s Turf: The Ghosts of Hollywood Park,” which was published on NBCSports.com. He won his first Eclipse Award in 1987 for Newspaper Writing for Capital Newspapers in Albany, N.Y., and in 2018 for Sports Illustrated, for his Feature/Commentary article on track announcer Charles “Chic” Anderson.


"Painfully, horse fatalities have been an ongoing and important narrative in the sport, and we felt it was important to find an access point for that narrative as the 2023 season ended. Maple Leaf Mel's breakdown and death on Whitney Saturday was an especially difficult moment, because of the stage, but also because people inside racing knew that Mel was treated with the best of care. Often we look for villains, in all stories, but we were unlikely to find any here. That's what made the story so complicated and important, and that's why we wanted to tell it.”

 

"It's important to say that this is Melanie Giddings's story. I'm just the messenger. That is always true in journalism, but especially true here. Last August 5 was one of the worst days of Melanie's life, and she entrusted me with her recollections and emotions, for which I am thankful and readers are enlightened and enriched."

 

The winning article can be viewed here.

 

Judges in the Feature/Enterprise category were: Bob Kieckhefer, United Press International racing writer; David Papadopoulos, a senior editor at Bloomberg News; and Robert Yates, who covered racing for the Arkansas Democrat-Gazette and is a notes writer at Oaklawn Park.

 

News/Enterprise – Sean Clancy


Sean Clancy was not originally assigned to cover the Test Stakes at Saratoga on Aug. 5, but sprang into action and wrote a news account of the race, the tragic consequences of the fatal accident to Maple Leaf Mel, and the reactions of individuals surrounding the event. Clancy writes of the immediate and incredible sense of loss, and the mixed emotions of trainer Brendan Walsh and his crew, whose filly Pretty Mischievous won the race. 

 

Clancy, from Middleburg, Virginia and an NTWAB member, is the co-editor and publisher of The Saratoga Special along with his brother, Joe, which they co-founded in 2001. This is the second Eclipse Award for Clancy, who earned a News/Commentary in 2009 for “Life’s Work,” about his recollections of the late Hall of Fame Trainer Sidney Watters Jr.

 

"Winning a second Eclipse Award and a first for The Saratoga Special is an incredible honor,” said Clancy. “When I was informed, my first call was to my brother Joe. My second call was to Tom Law. I'm sure it was the same way for them. That's the team we have. One is my brother. The other is like a brother. We work together but it's far more than that. Just unbelievable friends who I'm lucky to work with and share the highs and lows of life.”

 

"I wasn't covering the Test. I was meant to cover the Whitney later in the day. I watched it with Tom, as a spectator, a fan. In awe of Maple Leaf Mel and then, like everyone, watched in horror. We both leapt into crisis mode and went to work. Paul Halloran, an integral member of The Special team, was meant to cover the Test. I followed Brendan Walsh, Paul switched to the Whitney and I wound up back at the barn with Brendan. He was honest, open, speaking for all of us, a devastated sport on a devastating afternoon. It was brutal to write but it had to be written. My thoughts are still with Maple Leaf Mel, Melanie Giddings and their team."

 

The winning entry can be viewed here (page 17).

 

Honorable mention in the News/Enterprise category went to NTWAB members Frank Angst and Bob Ehalt for “New York Thunder Breakdown Calls for Further Review,” which appeared on The BloodHorse website on Oct. 3, 2023.   

 

Judges in the News/Enterprise category were: Reid Cherner former sports, racing writer and columnist for USA Today; Amanda Duckworth, an independent international communications consultant and journalist with a focus on Thoroughbred racing; and Bill Kolberg, former assistant director of publicity at Santa Anita and Del Mar and published author on Thoroughbred racing.


Television – Live Programming – NBC Sports

 

For the fourth consecutive year, NBC Sports has taken the Eclipse Award for Live Television Programming for its broadcast on NBC, Peacock, and the USA Network, of the two-day coverage of the 40th Breeders’ Cup World Championships from Santa Anita Park in Arcadia, California.

 

NBC showcased the captivating action of the World Championships accentuated by the dramatic stretch duel between Cody’s Wish and National Treasure in the Big Ass Fans Breeders’ Cup Dirt Mile (G1) to the dominant performance of White Abarrio in the Longines Breeders’ Cup Classic (G1). To enhance its production, NBC utilized access to approximately 75 video sources, including cameras and feeds; and among other technologies, a special gyro camera on a vehicle inside the rail on the backstretch, providing a live wide-angle perspective as the horses raced with the San Gabriel Mountains as the backdrop, and an RF Super Slo Mo camera, used for the first time on NBC Sports’ horse racing coverage.

 

“We are proud to accept the Eclipse Award for our presentation of the Breeders’ Cup World Championships. While the Breeders’ Cup is always one of the most spectacular events of the year to cover, this year – the 40th running of the World Championships – was a particularly special experience,” said Lindsay Schanzer, NBC Sports Senior Producer. “We relished the opportunity to celebrate the origin and ensuing four-decade run of what has become the capstone of the yearly racing calendar, and were delighted to bring the unforgettable moments of year 40’s champions to audiences worldwide. This two days of racing is an enormous undertaking from a broadcast perspective, and we thank our incredible partners at the Breeders’ Cup, who put their trust in us each year to bring this world-class event to life. We look forward to many more World Championships to come.”

 

NBC Sports’ coverage of the Breeders’ Cup World Championships was produced by Schanzer and Billy Matthews, and directed by Kaare Numme. Amy Zimmerman was the co-producer; Ron Vacarro, VP of Editorial, and NTWAB member John Furlong, the editorial producer. Sam Flood is Executive Producer and President, NBC Sports Production.

 

NBC talent consisted of Host: Ahmed Fareed; Host/Reporter: NTWAB member Britney Eurton; Analysts: Jerry Bailey and NTWAB member Randy Moss; Reporters: NTWAB members Nick Luck and Kenny Rice; Horseback Reporter: NTWAB member Donna Brothers; Handicappers: Eddie Olczyk and NTWAB member Matt Bernier; Insights Analyst: NTWAB member Steve Kornacki; Race Caller: NTWAB member Larry Collmus and Essayist: NTWAB member Tim Layden.

 

Honorable Mention in the Live Television Programming category went to NBC Sports, for “The 149 Kentucky Derby,” which aired on May 6, 2023. Lindsay Schanzer, Senior Producer.

 

Judges in the Live Television Programming category were: Jeannine Edwards, multiple award-winning reporter, and analyst for ESPN from 1995-2018; Dave Johnson, track announcer, television analyst, and race caller for ABC Sports, and now co-host of Down The Stretch on SiriusXM; and Jack Renaud, CBS News Producer, who’s been covering racing since his days at local stations in Lexington and Louisville.


Multimedia – TDN Writers' Room

 

Gulf War veteran Wade Yost and his son, Carson, joined TDN Writers’ Room podcast hosts and NTWAB members Bill Finley, Randy Moss, and Zoe Cadman on Sept. 23 for an in-depth and emotional discussion of Carson, a 31-year-old stricken with Wolf-Hirschorn Syndrome and a Grade 1-winning 2-year-old, Carson’s Run, named in his honor. With the screen displaying the hosts in three quadrants and Wade and Carson, and at times hugging his father, Wade describes how his friendship with fellow United States Military Academy cadet and West Point Thoroughbred President Terry Finely led to an idea more than 10 years ago to name a horse after Carson.

 

In rearing Carson, Wade relates the daily challenges that he and his wife, Kim, have faced, but how the incredibly unlikely occurrence of being a part of a winning Thoroughbred has been an uplifting experience for the family.   

 

“I was watching the NYRA show the day that Carson's Run made his first start at Saratoga, and Maggie Wolfendale interviewed Terry Finley in the winner's circle after he won, and they talked about the story behind the naming of the horse,” said Susan Finley, Thoroughbred Daily News Publisher. “Bill Finley contacted Terry and wrote a story for that day's TDN, and when Carson's Run won the Grade I Summer Stakes, Bill decided to invite Wade Jost onto the Writers' Room. We were all very moved by his openness and honesty, and his willingness to discuss Carson's situation and struggles, and what Terry's friendship and the naming of the horse has meant to him.”

 

“All the credit to Wade Jost, and the incredible team that combines to produce the TDN Writers' Room every week; our hosts Bill Finley, Randy Moss, and Zoe Cadman, to our producers, the TDN’s Katie Petrunyak and Anthony LaRocca, and our editors Alia LaRocca and Nathan Wilkinson from the PW Media Group.”

 

Wade Yost added about this experience: “It’s been emotional. We just wanted to do something for Carson. We have four children and the other three are really good athletes. They’re grown now, but he was always going with us to their events as they competed in their various sports and was always in the background. So it was one of those things like, let’s give him some limelight—to live vicariously through an animal who can actually run. He’s been confined to a wheelchair from day one. It’s just a phenomenal thing that Terry and West Point Thoroughbreds have done for us.”

 

The winning entry can be viewed here.

 

Honorable Mentions in the Multimedia category went to America’s Best Racing for “Experience the Thrill of Winning the Kentucky Derby with Ramiro Restrepo,” which appeared on Bloodhorse.com and on NBCSports.com on May 9, 2003, Greg Charkoudian, producer; and to TDN for “Will Walden Racing Gives Fresh Start to an Improbable Team,” published on January 11, 2023, Katie Petrunyak, Producer.

 

Judges in the Multimedia category were: Mike Brunker, former racing writer for the Las Vegas Review-Journal; John Engelhardt, 35 years as a producer in TV/radio/podcasts, and current host of The Regular Guy on winningponies.com; and Joe Withee, Director of Broadcast Publicity, Emerald Downs.

 

Television Feature – Woodbine Entertainment

 

“In SECRETARIAT The Last Race,” the Woodbine Entertainment broadcast team produced a retrospective of the last race of the 1973 Triple Crown winner’s career in the Canadian International on the turf at Woodbine Racetrack in Toronto. The feature aired on Oct. 8, 2023, on TSN (The Sports Network) during the 2023 running of the Canadian International.

 

Through compelling footage of Secretariat’s arrival in Canada with throngs of media in attendance at the airport and for his workout at Woodbine, the story is recounted, among others, by Secretariat’s jockey in the International, Eddie Maple, and longtime Woodbine public relations director Bruce Walker, and broadcast and Woodbine Journal editor, Jim Bannon.

 

Secretariat won the Canadian International on a bitterly cold day by 6 ½ lengths. His victory was so inspiring and uplifting that fans came out of the stands and across the dirt track to cheer him home. 

 

“History has already dictated the indelible mark that Secretariat left on the world of sports and his story has been told a hundred times over,” said Rob Platts, Director of Broadcasting, Woodbine Entertainment. “The part of this narrative that hasn’t been as fully explored is how the greatest racehorse in the world ran his last race at Woodbine Racetrack in Canada and that’s the story we wanted to tell. We wanted viewers to understand what this historic event meant to those that were actually there in 1973 and what better way to do that than to hear first-hand from those that experienced it and truly feel the passion they felt 50 years ago.” 

 

“The mix of archival film and the real emotions from those still here to remember what it felt like truly brought this story to life and the broadcast team at Woodbine couldn’t be more proud to have their hard work on this piece recognized.”

 

SECRETARIAT The Last Race was produced by Tammy Gillanders with support from Phil McSween and Paul Salvalaggio. The director of photography was David Syrie and Rob Deluca, and Andrew Doherty was the editor.

 

The winning entry can be viewed here.

 

Honorable Mention in the Television- Feature category went to CBS Sports Network for “Secretariat,” produced and directed by Laura Dunham, which aired on May 2, 2023. 

 

Judges in the Television Feature category were: Bruce Casella, television producer and director, Pushin a Rock Productions and former Co-Host of ESPN’s Thoroughbred Digest show; Dick Jerardi, who covered more than three decades of Triple Crown and Breeders’ Cup races for the Philadelphia Daily News; and Kristine Kugler, Horse Racing Producer, ESPN.


Photography – Carolyn Simancik

 

Carolyn Simancik, who has been photographing for Eclipse Sportwire since 2018, captured the most dramatic finish of the 2023 Breeders’ Cup World Championships in “Trading Horse Paint,” which appeared on the Press Box website on Nov. 4, 2023. Born in Troy, Michigan, and currently residing in Weatherford, Texas, Simancik zeroed in on the unrelenting battle in the Big Ass Fans Breeders’ Cup Dirt Mile (G1) between defending champion Cody’s Wish, ridden by Junior Alvarado, and Preakness Stakes (G1) winner National Treasure, ridden by Flavien Prat. 

 

With her Canon EOS R3, Simancik captured, the vivid contrast of Cody’s Wish and rider Alvarado covered in dirt, compared to front-runner National Treasure and Prat, virtually unmarked. Owing to the competitiveness of the moment, Prat’s right arm leans into Alvardo with barely inches of daylight between the two colts. Cody’s Wish prevailed by a nose but had to wait out a stewards’ inquiry before being declared the winner.

 

“It’s the most incredible feeling,” said Simancik on winning the Eclipse Award. “The caliber of photographers you are up against are people I have looked up to for a long time,” mentioning Eclipse Award-winning photographers, Michael Clevenger, Scott Serio, and Alex Evers.

 

“When I look back at all the photos on the day, that image stood out,” recalled Simancik. “That’s Cody’s Wish, eyes forward, gritty type of horse. He had every opportunity to quit and he won.”

 

Prior to her full-time work in photography, Simancik was the breeding manager for eight years at the Oklahoma Equine Hospital in Washington, Oklahoma.

 

The winning photograph can be viewed here.

 

Judges in the category were: Mark Abraham, freelance photographer and currently deputy director of the United States Senate Press Photographers’ Gallery; Rob Carr, Getty Images/Chief Photographer, Sport; and Mike Kane, veteran Thoroughbred journalist, and photographer.


Edited NTRA release with additional content by Dick Downey


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Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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