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Six Named Winners of 2019 Media Eclipse Awards

The National Thoroughbred Racing Association (NTRA), Daily Racing Form (DRF), and the National Turf Writers and Broadcasters (NTWAB) today named winners of the 2019 Media Eclipse Awards in six categories. They are:


Television – Live Racing Programming – TVG, “TVG Pacific Classic,” Aug. 17, 2019.


Television – Features – FOX Sports 2, “When Rachel Raised the Rafters,” Aug. 30, 2019.


Feature/Commentary Writing – Joe Nevills, Paulick Report “Biting The Dust: A Long Goodbye to Mount Pleasant Meadows,” July 22, 2019.


News/Enterprise Writing – Bryce Miller, San Diego Union-Tribune “Anniversary of Deadly San Luis Rey Fire Strains Still,” Dec. 8, 2018.


Audio/Multi-Media Internet  Horse Racing Radio Network (HRRN) “2019 Breeders’ Cup World Championships,” Nov. 2, 2019.


Photography – Jim Leuenberger, DRF.com; “2019 Kentucky Derby,” May 4, 2019.


Winning works were televised or published from Nov. 16, 2018 to Nov. 15, 2019.


Each of the Media Eclipse Award winners will be presented trophies at 49th Annual Eclipse Awards on Thursday, January 23, 2020 at Gulfstream Park Racing & Casino in Hallandale Beach, Fla.


Television – Live Racing Programming – TVG


TVG has won its first Live Racing Programming Eclipse Award for its coverage of Pacific Classic Day on August 17, 2019 at the Del Mar Thoroughbred Club, which culminated with a runaway victory by Hronis Racing’s Higher Power in its signature race, the $1 million TVG Pacific Classic. In addition to conducting interviews with key participants in the lead up to the Pacific Classic, TVG accented its coverage by introducing its wide array of broadcast talent as being “Born into the Sport,” highlighting how these individuals came into racing careers through the tutelage and influence of immediate families and relatives.


“On behalf of everyone at TVG, we’re very excited and appreciative of this recognition, which we know puts us in great company with the other media Eclipse Award winners,” said Kip Levin of FanDuel, TVG. “Kevin Grigsby and his team — both the on air talent and everyone behind the camera and behind the scenes — work hard every day to promote horse racing and to present the very best in the sport and the TVG Pacific Classic show was a prime example of how we strive to provide racing fans premier coverage and to support our track and horsemen partners.


“I can’t think of a better way to cap our 20th anniversary celebration."

Kevin Grigsby was Executive Producer of the TVG Pacific Classic telecast. The Pacific Classic team of talent featured Todd Schrupp and NTWAB member Matt Carothers, who have been with TVG since its inception 20 years ago. Schrupp and Carothers were joined by Mike Joyce and NTWAB members Simon Bray, Britney Eurton, Christina Blacker, Scott Hazelton and Gabby Gaudet.


TVG utilized 29 cameras as a part of more than eight hours of live coverage of racing on Pacific Classic day.


Honorable Mention in the Television – Live Racing Programming category went to Fox Sports for its broadcast of the “Runhappy Travers on FOX” which aired on the FOX Broadcast Channel on Aug. 24, 2019; Michael Mulvihill, the Executive Vice President and Head of Strategy and Analytics for FOX Sports. 

Judges in the Live Television Programming category were: NTWAB member Dave Johnson, track announcer, television analyst and race caller for ABC Sports, and now co-host of DOWN THE STRETCH on SiriusXM; Toni Slotkin, Sports Emmy Producer, MLB Network and president TES Productions, and Chris Svendsen, producer-director for CBS Sports.


Television Feature – FOX Sports


“When Rachel Raised the Rafters” was televised on FS2 during the Fox Sports telecast of the Aug. 30, 2019 Woodward Stakes from Saratoga Race Course in Saratoga Springs, N.Y. The feature, which was produced by Ernie Munick and narrated by Maggie Wolfendale, celebrated the 10th anniversary of Stonestreet Stables and Harold McCormick’s brilliant Rachel Alexandra capping her historic 2009 Horse of the Year season by besting older males to become the first filly to capture the Woodward.


The segment was highlighted by interviews with the Rachel Alexandra’s connections: co-owner Barbara Banke, trainer Steve Asmussen and jockey Calvin Borel. Longtime NYRA track announcer and Eclipse Award of Merit winner Tom Durkin put a capstone on the afternoon when he felt the enormous roar of the crowd and said “Rachel Alexandra raises the rafters here at the Spa!”


“Rachel Alexandra’s brilliance and courage in the 2009 Woodward made for one of the great days in the history of Saratoga Race Course,” said Michael Mulvihill, the Executive Vice President and Head of Strategy and Analytics for FOX Sports. “Rachel authored her own breathtaking story with a performance that electrified the crowd and captured the imagination of the sport.


“It was a privilege to be able to recount that drama in a way that resonated with fans across the country on the occasion of the 10th anniversary of Rachel raising the rafters at the Spa. All of us at FOX Sports offer our thanks and congratulations to producer Ernie Munick, to the entire Saratoga Live crew, and most of all to the unforgettable Rachel Alexandra the great.”


Honorable Mention in the Television Feature category went to NBC Sports for “The 2019 Breeders’ Cup World Championships – Bob Baffert and McKinzie,” which aired on Nov. 2, 2019; Rob Hyland, Coordinating Producer.


Judges in the Television Features category were Liz Bronstein, television Show Runner and Executive Producer, and creator the Animal Planet 2008-09 series “Jockeys”; John Hennegan, two-time Eclipse Award-winning writer/producer/director and partner in Hennegan Brothers Productions, which he runs with his brother Brad; and NTWAB member Dick Jerardi, former writer and columnist for the Philadelphia Daily News.


Feature/Commentary Writing – Joe Nevills


This is the first Eclipse Award for NTWAB member Joe Nevills, of Georgetown, Kentucky, who has been the bloodstock editor of the Paulick Report since 2018, and prior to that was a reporter for Daily Racing Form and the Thoroughbred Times. Nevills’ wife, Natalie Voss, won an Eclipse Award for News/Enterprise writing in 2016.


“It’s just one of those things you dream of doing, like hitting a Grand Slam to win Game 7 of the World Series,” Nevills said about winning an Eclipse Award. “This is something I’ve always wanted to accomplish and never expected, but this one was very personal for me. I had been working on this story for five years, since the track closed."


In “Biting The Dust: A Long Goodbye to Mount Pleasant Meadows,” Nevills tells the story of the demise of a small mixed-breed track in central Michigan through the eyes of trainer Nate Funnell, jockey Lee Gates, track announcer and marketing director Scott Csernyik, and through his own personal recollections of a place where he learned and enjoyed horse racing beginning with his family at age four. He had revisited the closed grounds several times since it was shuttered, and he was able to finally complete his story this year.


“I wanted to write a John Mellencamp song about horse racing, without the music: Give a spotlight to blue-collar horse people on the small circuit that made me,” Nevills said. “I like to write things that I'd have liked to read when I was young, looking through magazines for whatever I could find about my home circuit. The entire Michigan racing community has had my back since I started writing about the sport. They've been instrumental in teaching me about the industry, even today.”


Opened in 1985, Mount Pleasant Meadows in Mount Pleasant, Michigan, experienced just a few good years of racing, damaged by an ever-growing list of internal and political obstacles, before closing in 2013. And yet, in describing the run-down conditions of the track he revisited several times, Nevills revealed the strength and joy of those who worked there.


“Even at its loudest, Mount Pleasant was a good place for people who liked to hear what was going on: the sound of jockeys smooching and barking to urge their mounts, then explaining themselves to the trainers afterward; the gate crew pleading with the starter to keep his thumb off the button; and the occasional trash talk between people on horseback.


This was especially true around the paddock, where horsemen and revelers shot the breeze between races over a flimsy chain-link fence. The sternly-worded sign warning folks with racing licenses against chatter with the outside world, hung by the state's racing commission, might as well have been written in Cantonese.”


Nevills is a native of Edmore, Michigan, attended Montabella High School, and graduated from Central Michigan University.


Judges in the Feature Commentary category were Tom LaMarra, Director of Communications for the Maryland Thoroughbred Horsemen’s Association and Managing Editor of THAracing.com; Myra Lewyn, turf writer, editor, and publicist with four decades devoted to the coverage of Thoroughbred racing and Dan Liebman, former editor of The Blood-Horse as well The State-Journal in Frankfort, Kentucky.
 

News/Enterprise Writing – Bryce Miller


This is the first Eclipse Award for Bryce Miller, who has been a columnist in the sports department for the San Diego Union-Tribune since 2015. Prior to that, Miller was a columnist and sports editor of the Des Moines Register. He earned an Honorable Mention in the Feature/Commentary category in last year’s Eclipse Awards.


“It’s an incredible honor to win an Eclipse Award,” said Miller. “To those who write consistently in the industry, it’s an indication that your work has reach and your work mattered, and it’s pretty humbling.”


“Anniversary of Deadly San Luis Rey Fire Strains Still,” was both an examination of the rebuilding and improvements to San Luis Rey Downs and an update on the individuals whose lives were permanently altered one year after the Lilac fire devastated the Thoroughbred training facility in Bonsal, California in December 2017.


Miller received an official tour of the grounds last December, reporting on changes to the facility, which included the removal of 350 palm trees and the installation of two 95-foot wide pavilions with high-tech roofing material which can self-extinguish flames or embers; installation of a two-mile sprinkler system and a new employee app for phones to receive alerts about nearby emergency response calls, among others changes.

“We (at the Union-Tribune) had covered the fires extensively in 2017 and on a regular, often weekly basis in 2018,” said Miller. “It was a logical wrap up and the finish line of a big project.”


The area, jarringly out of place from all the rebuild and rebirth, resembles a scene from battled-scarred Sarajevo — an eerie graveyard of twisted metal and jagged concrete footings once anchoring barns that wilted under flames exceeding 3,200 Fahrenheit…The year became a test, at moments sullen, at moments affirming, of the resilience of an entire industry. People from all corners — paycheck-to-paycheck backstretch workers, millionaire owners and complete strangers — discovered how much heart and sweat it would take to dust off ashes and sculpt brighter days.

The hardest and most rewarding parts for Miller was meeting Pierre Bellocq and his wife, trainer Martine Bellocq, who suffered severe burns over most of her body, and received multiple skin grafts over the past year; and with Cassandra Branick, an exercise rider and barn manager for trainer Ed Freeman, who repeatedly kept going back in to save horses. “She was a general in the middle of the battlefield,” said Miller.


Honorable Mention in the News/Enterprise category went to NTWAB member Frank Angst for “Country House Getaway,” which appeared in the BloodHorse on May 11, 2019, and to Vinnie Perrone for “Starting Over,” which was published in the Mid-Atlantic Thoroughbred on Oct. 1, 2019.


Judges in the New Enterprise category were: Reid Cherner, former writer and editor for USA Today; Robert Yates, who covered racing for the Arkansas Democrat-Gazette, and Gary Yunt, former copy editor for the Denver Post and Notes Team Captain for the Kentucky Derby and the Breeders’ Cup.

Audio/Multi-Media Internet – Horse Racing Radio Network


This is the second Eclipse Award for HRRN, based in Lexington, Kentucky, which previously won the Audio/Multimedia and Internet Eclipse Award in 2010 for its coverage of the Breeders’ Cup World Championships. NTWAB member Mike Penna is president of HRRN and a regular host.

Providing its North American audience with nearly 10 hours of live radio coverage of the 36th Breeders’ Cup from Santa Anita Park, Nov. 1-2, on Sirius 219/XM, HRRN deployed its talent and production team to cover all aspects of the event with pre-race analysis from key participants and special background features with jockeys trainer and owners participating in each Breeders’ Cup race.


“It really is surreal,” said Penna. “When I first started the network nearly 15 years ago, I just wanted to create something that would benefit our sport. I never imagined we would be putting together live programs on such a large scale, so to have our work recognized with an award of this stature is extremely humbling.


“Our broadcasts are storyline driven and, because we are on radio, we have to find ways to paint the pictures we see through our words and try to find the stories that are most interesting and intriguing to our audience in the buildup to each race, then follow up with news and interviews afterward,” Penna continued. “The goal is always to make listeners feel as if they are sitting there with us. It was a lot of work but we had a great team to accomplish our goals. We thank the people at Santa Anita and the Breeders’ Cup, along with our sponsors and all the horsemen who were so cooperative with us.”


The broadcast was anchored by Penna along with analysts Kurt Becker, Bobby Neuman and Dan Mason. Ashley Mailloux provided paddock commentary and interviews. Lee Dellapina and Shawn Seay produced the broadcast, with production assistance contributed by Justin Taylor, Keith O’Brien, NTWAB member Jude Feld, Michelle Penna, Megan Devine and Howard Deneroff. Race calls courtesy of Santa Anita Park track announcer Frank Mirahmadi.


Honorable mention in the Audio/Multimedia and Internet category went to Kelsey Riley and Thoroughbred Daily News for “At 27 Serena’s Song Still Hits All the Right Notes,” which appeared in TDN Look on July 27, 2019.


Judges in the Audio/Multi-Media Internet category were Glenn Crouter, former lead television anchor for Woodbine Live horse racing network, and correspondent/announcer for Newstalk 1010 in Toronto; Bob Curran, longtime Vice President of Corporate Communications for The Jockey Club and graduate of the St. Bonaventure University journalism program; and NTWAB member Julie Sarno, freelance writer, former editorial staff member of the Blood-Horse, staff member and department head The Meadowlands and Del Mar.


Photography – Jim Leuenberger


Leuenberger, 73, from Shawano, Wisconsin, has won his first Eclipse Award, for his photograph of the critical moment of the 145th Kentucky Derby at Churchill Downs, when race leader Maximum Security veered into the path of War of Will over a sloppy track as a pack of eight horses were passing thought the final turn. The image captures War of Will turned toward the grandstand in behind Maximum Security as mud is flying in the background in the crowded field.


Maximum Security crossed the wire first in the Derby but, after two jockeys’ objections and a lengthy review by the stewards, was disqualified from first and placed 17th, thus creating the first disqualification of a winner due to a claim of foul in the first leg of the American Triple Crown.

Following the race, Leuenberger went back to the track’s media center where his photographs were downloaded by Daily Racing Form’s Emily Shields.

“I’m going off to get a bite to eat, soaking wet, and Emily is hollering at me to come over back to her computer, and I’m thinking ‘what did I do wrong?’, said Leuenberger. “I hurried back and I saw a bunch of other photographers gathering around her screen and she was excited to show me that my photo captured the incident.”


Barbara Livingston, Daily Racing Form Chief Photographer and four-time Eclipse Award Photography winner, later encouraged Leuenberger to enter his photograph in the Media Eclipse Award competition.


“Barbara told me that this incident in the Derby had the most impact of any race of the year, and that my photo showed what happened in a race where a winning horse had never been disqualified.”


Leuenberger, who took the winning photograph with a Canon 5D Mark III camera with a 100-400 telephoto lens, exclaimed “Amazement,” as the word to describe winning the Eclipse Award, adding, “It’s a great Christmas present.”


Leuenberger, who grew in northeast Iowa and graduated from Iowa State Bachelor of Science in Dairy Science with a minor in Ag Journalism and Master of Science in Ag Journalism with a minor in Animal Science. He worked in public relations for more than 30 years in the agricultural livestock industry.

Leuenberger also took photographs of Green Bay Packers NFL games and other local Wisconsin sports teams for Wolf River Media. He began attending the Kentucky Derby since 1995, and first covered his first Derby for Daily Racing Form in 2018. 


The winning photograph, which appeared on the Daily Racing Form website drf.com on May 4, 2019, may be viewed here.

Judges in the category were Mark Abraham of United Press International and current deputy director of the US Senate Press Photographer’s Gallery; Rob Carr, staff sports photographer with Getty Images, and NTWAB member Mike Kane, veteran Thoroughbred journalist and photographer and former communications officer at the National Museum of Racing and Hall of Fame.


About the Awards Ceremony


Eclipse Awards tickets are available for $425 each, or $4,000 for a table of 10. Additional details can be found on the NTRA website at NTRA.com/eclipse-awards/ or by contacting Casey Hamilton at chamilton@ntra.com.


The “black-tie optional” Eclipse Awards is part of a full week of events that will culminate with the fourth running of the $3 million Pegasus World Cup, on Jan. 25. Separate tickets to the Pegasus World Cup are available on the Gulfstream Park website at pegasusworldcup.com.

Tickets to the Eclipse Awards also include an invitation to a spectacular Friday night, Jan. 24, party in the Gulfstream Park walking ring on the eve of the Pegasus.


Eclipse Awards voting is conducted by the NTWAB, NTRA and DRF. The Eclipse Awards ceremony is produced by NTRA and presented by the Breeders’ Cup, DRF and The Stronach Group.


The Eclipse Awards are named after the great 18th-century racehorse and foundation sire Eclipse, who began racing at age five and was undefeated in 18 starts, including eight walkovers. Eclipse sired the winners of 344 races, including three Epsom Derbies.

Release edited by Dick Downey for NTWAB


The National Thoroughbred Racing Association, Daily Racing Form and the National Turf Writers and Broadcasters today winners of the 2019 Media Eclipse Awards in six categories. Several NTWAB members are among the winners.

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November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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