Blog Layout

Layden, Balan, NBC Sports Lead 2018 Media Eclipse Awards

The National Thoroughbred Racing Association (NTRA), Daily Racing Form (DRF) and the National Turf Writers and Broadcasters (NTWAB) announced the winners of the 2018 Media Eclipse Awards in six categories. Many of the winners are members of NTWAB.


Feature/Commentary Writing – NTWAB member Tim Layden, SI.com; “Remembering Chic Anderson’s Legendary Call of Secretariat’s Record Run at 1973 Belmont Stakes”; June, 4, 2018


News/Enterprise Writing –NTWAB member Jeremy Balan, BloodHorse.com; “San Luis Rey Horsemen Faced Brutal Challenges in Fire”; Dec. 13, 2017. Tim Sullivan, also an NTWAB member, was named Honorable Mention.


Television –Live Racing Programming – NBC Sports, 2018 Belmont Stakes, June, 9, 2018. Many NTWAB members were part of the broadcast team: Larry Collmus, Donna Brothers, Kenny Rice, and Layden.


Television – Features – NBC Sports, “San Luis Rey Fires”; May 5, 2018


Audio/Multi-Media Internet – Christie DeBernardis & Patty Wolfe, TDN Weekend; “Cozmic One: Shining New Light on OTTBs”; July 2018


Photography - Barbara D. Livingston, DRF.com; “Firenze Fire and Whereshetoldmetogo in Gallant Bob Stakes”; Sept. 9, 2018


Each of the Media Eclipse Award winners will be presented their trophies at 48th Annual Eclipse Awards on Thursday, Jan. 24, 2019 at Gulfstream Park Racing & Casino in Hallandale Beach, Fla.


Feature/Commentary Writing - Tim Layden


This is the second Eclipse Award for Layden, a 24-year-veteran at Sports Illustrated, who won a Newspaper Writing Eclipse Award in 1987 for Capital Newspapers.


“Horse racing was the first ‘major’ sport I covered, as an intern at the Schenectady Gazette in 1976,” said Layden, from Simsbury, Connecticut, who has written the horse racing beat for Sports Illustrated since 2001, taking over from the late Bill Nack. “The symmetry of winning an Eclipse Award isn't lost on me. Also, my previous Eclipse, in 1987, led to a job at Newsday, which led to a job at Sports Illustrated. So there's a special place in my heart for that trophy.”


 In his feature-winning article, Layden recounts the short but exciting life of Charles (Chic) Anderson, who called races at Churchill Downs and the Triple Crown for CBS. Layden then takes the reader along for the ride with Anderson, interspersing the race caller’s signature phrases during Secretariat’s incredible 31-length victory in the 1973 Belmont Stakes and how Anderson kept his cool and professional demeanor while rising to the magnitude of the moment.


 “Chic Anderson's call of the ’73 Belmont is truly one of those great stories that was hiding in plain sight,” added Layden. “The race has been watched, replayed and worshiped for so long, and Chic's call has been the soundtrack. I thought his performance that day was astounding, given the scope of the performance, which Chic could never have seen coming. I wanted to learn about the man who gave us those magic words, ``Secretariat is moving like a tremendous machine....'' and many others that day.”


The winning entry can be viewed here.


Honorable mention in the Feature/Commentary category went to Bryce Miller for “Burned Trainer Martine Bellocq Finds Love, Hope Among the Ashes,” which appeared on the San Diego Union Tribune website on May 18, 2018.


 Judges in the Feature Commentary category were Reid Cherner, former writer and editor for USA Today; Dan Liebman, former BloodHorse editor; and Robert Yates, who covered racing for the Arkansas Democrat-Gazette.


News/Enterprise Writing – Jeremy Balan


 In “San Luis Rey Horsemen Faced Brutal Challenges in Fire,” Balan, the Torrance, CA-based Online News Editor for BloodHorse.com, covered the tragic fires of December 2017 at San Luis Rey that devastated the Bonsall, California training and stabling center in which humans were badly burned and 46 horses perished.  Balan’s report centered on answering questions a week after there was much conjecture on social media and in other outlets on the causes of the swift devastation of the fire and why roads were closed near the facility that could have allowed trailers to evacuate the more than 450 horses stabled there.


Balan interviewed security officials from officials at San Luis Rey and at the California Department of Forestry Fire Protection (Cal Fire), revealing that choices were made in road closures to speed the evacuation of people in the area. The fire’s widespread devastation was largely due to palm trees catching fire throughout the facility, which took just seven minutes to encompass the property’s barns.  


“The palm trees—which line so many of the barns, paths, and roads at San Luis Rey and are pervasive in the surrounding area—along with the whipping wind, changed everything. As embers hit the dry palm fronds, many of the trees quickly caught fire, and the effect was almost exponential. The trees on fire released embers of their own, which dropped down on the barns. Other embers blew into barns from the sides, carried by the wind.”

 

“I’m overwhelmed,” said Balan about receiving his first Eclipse Award. “Stories are made by people and the subjects, and the people I wrote about at San Luis Rey were amazing people, many of whom put their lives on the line, and did the very best they could where decisions had to be made on a minute to minute basis.”


The winning article can be viewed here.


Honorable mention in the News/Enterprise category went to former Eclipse Award-winner Tim Sullivan, also an NTWAB member, for “Behind the Sunglasses is an Eye for Talent,” which appeared in the Louisville Courier-Journal on June 8, 2018.


Judges in the New Enterprise category were: Bob Kieckhefer, racing writer for United Press International; Bill Kolberg, former assistant director of publicity for Santa Anita, Oak Tree Racing Association and Del Mar; and Gary Yunt, former copy editor for the Denver Post and Notes Team Captain for the Kentucky Derby and the Breeders’ Cup.


Television –Live Racing Programming – NBC Sports


 NBC Sports earned the Live Programming Eclipse Award for its coverage of Justify’s front-running victory in the 150th Belmont Stakes and his successful bid to become Thoroughbred racing’s 13th Triple Crown winner. The program aired on NBC on June 9, 2018.


NBC deployed 40 cameras around Belmont Park to capture the historic moment of the 1 ½ mile ‘Test of the Champion’ and also utilized an aerial camera over the full backstretch -- covering 2,750 feet at Belmont Park, and additional handheld roaming cameras on the grounds to capture the scene of 90,000 fans in attendance.


“To present an athletic achievement that has happened only 13 times in nearly 150 years of competition is an honor and responsibility that none of us take lightly,” said Rob Hyland, NBC’s Coordinating Producer of Horse Racing. “I’m extremely proud to be part of a team that broadcast Justify’s iconic moment, which will live forever in horse racing history.”


In addition to Hyland, the two-hour broadcast was directed by Drew Esocoff. Sam Flood is Executive Producer of NBC Sports.


The NBC lineup of talent on the broadcast was: NTWAB members Larry Collmus, Donna Brothers, Kenny Rice and Layden; Bob Costas, Mike Tirico; Randy Moss, Jerry Bailey, Eddie Olczyk, Britney Eurton, Carolyn Manno and Laffit Pincay, III.


Judges in the Live Television Programming category were:  Chris Fallica, of ESPN College GameDay, ESPN Chalk writer, co-host “Stanford Steve and The Bear” podcast; Dave Johnson, track announcer, television analyst and race caller for ABC Sports, and now co-host of DOWN THE STRETCH on SiriusXM; and Dick Jerardi, former writer and columnist for the Philadelphia Daily News.


 Television - Features - NBC Sports


In “San Luis Rey Fires”, Bob Costas narrates the aftermath of the “destruction and the scorched earth” of the Southern California training facility. Gathering footage of horses evacuating through the smoke of burning barns, and supported by interviews with farrier Juan Aguilar, outrider Les Baker, who was trampled and suffered nine broken ribs; and the recollections of trainer Peter Miller, NBC recalled the horrific scene of December 2017 and the heroic efforts to of countless individuals helping to save both humans and horses. The feature also revealed the outpouring of individuals who supported the relief effort at Del Mar racetrack to relocate more than 1,000 animals.  


“The devastation at San Luis Rey Downs would have been even more tragic if not for the bravery of the men and women working there, and the generosity of countless others who gave their time and money to the recovery effort,” said co-producer David Picker. “As we’ve seen before, true character is revealed in the toughest times. The Thoroughbred racing community should be very proud of the response to those terrible wildfires.”


In addition to Picker, Rob Hyland, Jack Felling, and Amy Zimmerman were co-producers of “San Luis Rey Fires,” which aired on May 4 during NBC’s Kentucky Derby broadcast.  Brad Buckwater was the editor and Aaron Metz was the cameraman.


Judges in the Television Features category were Liz Bronstein, television producer for Lizard Trading Company, producer of Whale Wars and Jockeys for Animal Planet; Karen M. Johnson, author, racing journalist and Emmy Award-winning television producer; and John Tweedy, documentarist and producer for Landlocked Films.


Audio/Multi-Media Internet


Christie DeBernardis and Patty Wolfe for TDN Weekend did extensive work on this feature about Cozmic One, the first offspring of Hall of Famer Zenyatta. Cozmic One could not reproduce the prowess of his mother on the racetrack, but through the Retired Racehorse Project (RRP) and the careful eye of 17-year-old show rider Isabela de Sousa, Cozmic One began a second career as a show horse.


The story of Cozmic One is told by DeBernardis, who came up with the idea, wrote the text, took the pictures and interviewed de Sousa on camera. Wolfe shot and produced the video of de Sousa, in which the young rider extols the opportunity of second careers for retired racehorses and the success of Off-the-Track Thoroughbred (OTTB) programs.


The video captures Cozmic One and the young de Sousa together with the rider discussing her process of choosing Cozmic One, previously owned by Jerry and Ann Moss, as her next mount in the RRP sponsored Thoroughbred Makeover competition. De Sousa is then seen riding Cozmic One in a “demo event” at the Land Rover Kentucky Three-Day Event in Lexington, KY in April 2018, as well as at her home, where Cozmic One resides with his pal and fellow OTTB Isle of Giants.


The entry appeared first online in the July edition of TDN Weekend, a publication of Thoroughbred Daily News.


 “We are truly honored and humbled that our work was chosen for an Eclipse Award. It is our industry's highest honor and what we all strive for day in and day out,” said DeBernardis. “There are so many talented writers and photographers in horse racing that we are lucky to know and work with, so to be selected as an Eclipse winner among such an exceptional group is beyond flattering. I am very grateful to my family, friends and everyone at the TDN who have supported me and made this possible. I am also thankful to have met Sergio and Isabela de Sousa, who inspired this piece and welcomed me into their home and stable. And, I can't forget Cozmic One, who attracted many readers to this story and shined a new light on retired racehorses.”


DeBernardis, who grew up in Freehold, N.J. and graduated from Rutgers University with a bachelor's degree in Journalism and a master’s degree in Communications, joined the TDN in March of 2013, and is currently an associate editor.


Wolfe, who produces videos for TDN, has had an extensive career in television, working at ABC Sports in many capacities on a number of events and was as associate director and associate producer on Triple Crown racing telecasts for the network.


The winning entry can be viewed here.


Judges in the Audio/Multi-Media Internet category were Ashely Cline, founder and publisher of the equestrian lifestyle blog, EquestrianStylist.com; Brian Nadeau racing analyst for Horseplayer Now and Amy Zimmerman, Santa Anita Park Vice President and Senior Associate Producer for NBC Sports.


Photography – Barbara D. Livingston

 

Barbara D. Livingston, the chief photographer for Daily Racing Form, has won her fourth Eclipse Award for Photography for a photograph of the Gallant Bob Stakes (G3) at Parx Racing on Sept. 22, 2018. Inside the final 50 yards of the six-furlong race, Whereshetoldmetogo was in a furious stretch drive to the outside of the favored Firenze Fire, when suddenly Whereshetoldmetogo attempted to bite Firenze Fire. Livingston, standing in the gully at the outside rail to the left of the wire, caught the action with her Canon 1DX Mark II and 300mm f2.8 lens in an image displaying the teeth of Whereshetoldmetogo right below the withers of Firenze Fire.

 

“When I was shooting it I could see his teeth, which was already quite surprising.  Of course, you just keep shooting but sometimes, what you see through your camera is not what results in the image, depending on timing,” recalled Livingston. “I had changed my camera settings during the race, when I saw it was two horses rather than one.  Luckily, the settings were spot-on.


“Of the countless races I’ve shot over the decades, I may have photographed three or four biting episodes, and this was by far my best image/ When I saw the resulting shot back in the photo room, I realized that it was a very special shot. I’m thrilled that other people saw in it what I did.”

 

Livingston, who lives just outside of Saratoga Springs in Malta, NY, has previously won the Photography award in 1992, 2001 and in 2014. In addition, in conjunction with Daily Racing Form she won the Audio/Multi-Media Internet awards in 2017 and 2016. The winning image:

 

 



Judges in the category were Mark Abraham , Former photographer at Newark NJ Star Ledger, and current deputy director of the US Senate Press Photographer’s Gallery; Rob Carr,  staff sports photographer with Getty Images, and Garry Jones, racing photographer for the Associated Press and other publications  (Editor’s Note: We mourn Garry’s passing on January 3, 2019).


Honorable mention went to three-time Eclipse Award winner Michael Clevenger, who took an under the rail shot of Accelerate leading the field down the stretch of the Breeders’ Cup Classic at Churchill Downs, which appeared on the Louisville Courier-Journal website on November 3, 2018.


Eclipse Awards Tickets


Eclipse Awards tickets are available for $425 each, or $4,000 for a table of 10. Additional details can be found on the NTRA website at NTRA.com/eclipse-awards/.  


The “black-tie optional” Eclipse Awards is part of a full week of events that will culminate with the third running of the $9 million Pegasus World Cup Invitational and the inaugural running of the $7 million Pegasus World Cup Turf Invitational, on Jan. 26. Separate tickets to the Pegasus World Cup are available on the Gulfstream Park website at pegasusworldcup.com.


Tickets to the Eclipse Awards also include an invitation to a spectacular Friday night, Jan. 25, party in the Gulfstream Park walking ring on the eve of the Pegasus.


Eclipse Awards voting is conducted by the National Turf Writers and Broadcasters (NTWAB), the National Thoroughbred Racing Association (NTRA) and Daily Racing Form. The Eclipse Awards ceremony is produced by the National Thoroughbred Racing Association and presented by the Breeders’ Cup, Daily Racing Form and The Stronach Group.  


The Eclipse Awards are named after the great 18th-century racehorse and foundation sire Eclipse, who began racing at age five and was undefeated in 18 starts, including eight walkovers. Eclipse sired the winners of 344 races, including three Epsom Derbies.


Officials Partners of the Eclipse Awards include The Stronach Group, Breeders’ Cup, Daily Racing Form, Keeneland, Florida HBPA, Kentucky Thoroughbred Association, Red Brand, Roberts Communications, The Jockey Club, Dean Dorton, WinStar Farm, EquiLottery Win Place Show, IOA Insurance, Florida Thoroughbred Breeders and Owners Association, Hagyard, Hallway Feeds, Thoroughbred Owners and Breeders Association, New York Racing Association, LUXAIR Jets, Jackson Family Wines, Tito’s Handmade Vodka, and Indiano Tequila. The official charity of the Eclipse Awards is the Thoroughbred Aftercare Alliance (TAA).

The National Thoroughbred Racing Association (NTRA), Daily Racing Form (DRF) and the National Turf Writers and Broadcasters (NTWAB) announced the winners of the 2018 Media Eclipse Awards in six categories. Many of the winners are members of NTWAB.

By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
By Dick Downey January 21, 2025
Ed Bowen, a longtime NTWAB member, died on Jan. 20 at his home in Versailles, Ky. at age 82. His memory will be honored at the upcoming Eclipse Awards ceremony.
January 8, 2025
Lexington, Ky. (January 8, 2025) ―The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2024 Media Eclipse Awards in six categories.
January 5, 2025
The 2024 Eclipse Awards Finalists, with the exception of Horse of the Year, in alphabetical order.
By Natalie Voss January 2, 2025
The National Turf Writers and Broadcasters are pleased to announce the organization will support a record five internships at various horse racing media outlets in 2025.
December 18, 2024
Tim Layden, a member of National Turf Writers and Broadcasters, and former NTWAB members Ed Schuyler, Jr. and the late Edwin Pope have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.
November 22, 2024
Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
More Posts
Share by: