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Special Eclipse Award to San Luis Rey, Camarero Responders

In recognition of countless acts of heroism, bravery, and benevolence in the face of tragedy, the National Thoroughbred Racing Association (NTRA), Daily Racing Form and the National Turf Writers and Broadcasters (NTWAB) today announced that a Special Eclipse Award will be awarded to all responders who assisted in mitigating the year’s worst racehorse-related disasters – the wildfire that claimed 46 Thoroughbreds at Southern California’s San Luis Rey Training Center in December and  a hurricane that left more than 800 Thoroughbreds stranded with limited food and clean water at Puerto Rico’s Hipódromo Camarero in September.


The Special Award honors extraordinary service, individual achievements in, or contributions to the sport of Thoroughbred racing. 


Representatives of the Camarero and San Luis Rey relief efforts will be on hand at the 47th Annual Eclipse Awards dinner and ceremony on Thursday, Jan. 25 at Gulfstream Park. The Eclipse Awards are presented by Daily Racing Form, Breeders’ Cup and The Stronach Group, and produced by the NTRA. 


CARIBBEAN THOROUGHBRED AFTERCARE

LED INDUSTRY-WIDE RESPONSE AFTER
HURRICANE MARIA


Hurricane Maria struck Puerto Rico on Sept. 20 as a Category 4 storm with wind gusts up to 118 miles per hour. All 3.4 million residents lost power and nearly all communications networks were knocked out of service. Storm surge and flash flooding left entire towns trapped until military relief could reach them as much as 24 hours later. 


Maria laid waste to the island’s only sanctioned racetrack, Hipódromo Camarero, formerly known as El Comandante. The track has a history recognized in the United States. Bold Forbes debuted there in 1975 before winning the Kentucky Derby and Preakness the following season. Puerto Rican natives Angel Cordero Jr. and John Velazquez rode there early in their Hall of Fame careers. The grandstand of the Canóvanas track was destroyed, and after the storm, the winner’s circle and clubhouse were “in ruins,” in the words of track administrator Jose A. Maymó Azize.  


Azize estimated that 90 percent of the racehorse pens lost their roofs. There were 1,100 registered Thoroughbreds on the track grounds – more than half of which were bred in the U.S. – with limited access to food or clean water. Many of the horses were left without caretakers. But, incredibly, no horses died during the storm. 


Into the aftermath stepped Kelley Stobie and Shelley Blodgett of Caribbean Thoroughbred Aftercare, a nonprofit organization with more than a decade of experience transitioning hundreds of racehorses from Puerto Rico and the Virgin Islands to post-race track lives, both on the islands and back on the U.S. mainland.


Stobie is an equine therapist who works at Camarero.


“I got to the racetrack on the Friday after the storm and I was completely shocked at the devastation,” she said. “I had no idea those barns were going to collapse the way they did. I went barn to barn and broke locks, broke chains, climbed over fences. Some horses we couldn’t get to, so all I could do was climb over the rubble to give them water. A lot of them had gone two days without water. That day I must have given water to a hundred horses by myself.” 


Stobie recruited help from the few grooms she could find that were still there tending to their horses. 


“A lot of people couldn’t get to the track because they were trapped in their homes,” she said. “My husband owns a heavy equipment company, so we were able to move fallen trees and everything so we could get to the main highway.” 


By Monday, five days after Maria made landfall, Stobie was still clearing access to horses who hadn’t been watered.


“We were just trying to keep the horses hydrated,” she said. “People didn’t realize how bad it was going to be. Nobody had stored anything, and those that did had their roofs ripped off. There was no hay to be found, so they would just give horses 10 pounds of grain with no water and no forage.” 


Stobie was able to call her CTA co-founder Blodgett, a racing fan and recently retired clinical psychologist in Wellington, Fla. who had helped re-home several horses from Puerto Rico to the U.S. 


“I just started messaging various industry organizations,” Blodgett said. “I wrote to Sue Finley (of Thoroughbred Daily News) and sent her pictures. When she published that letter it immediately got the attention of the industry, and then the response came.” 


Major support and coordination throughout came from Thoroughbred Charities of America (TCA), The Jockey Club, the American Association of Equine Practitioners, and Ranch Aid, a FEMA-appointed organization that assists with logistics and care for large animals during natural disasters. 


Among many others that stepped up to answer Blodgett’s plea with donations of feed, veterinary supplies, aircraft, warehouse space, and other needs were: Bonnie Heath Farm, Brook Ledge Horse Transportation, Cargill Animal Nutrition, Eisaman Equine, Horse America, Heidel Hollow Farm, JetBlue, MWI Animal Health, Ocala Breeders’ Sales Company, Purina Animal Nutrition, Texas Equine Veterinary Association, TFB Equine, The Ark at JFK, Thoroughbred Aftercare Alliance, Thoroughbred Retirement Foundation, and U.S. Equestrian Federation. Terry Finley and Vince Viola, partners in Kentucky Derby winner Always Dreaming, helped cut through bureaucratic red tape so relief flights to the island could be cleared more quickly. 


On Oct. 3, a charter jet arrived in Puerto Rico with 20 tons of alfalfa, veterinary supplies including fluids and penicillin, and two satellite phones. It was the first of three planeloads that would come bearing donations from individuals and industry organizations.  


“We would have lost a lot more horses to starvation if we hadn’t gotten the help that we did,” Blodgett said. “We got this plane in and it took Erin Crady of TCA and others moving heaven and earth to make it happen. It is a mini-miracle that this plane actually got in, and it is a credit to people in this industry who have a lot of influence.” 


At least 98 horses from the Camarero backside have been euthanized, nearly all from colic or laminitis, with more likely to follow. Track veterinarian Dr. Ricardo Loinaz has worked nonstop at the on-site equine hospital caring for horses with serious injuries or requiring antibiotics. While nutritional needs have been addressed, most of the damaged barns remain unrepaired.   


“Some trainers and owners have gone and made repairs, but others don’t have the means,” Blodgett said. “They’re dealing with their own devastation from the hurricane and disruption to their finances. Not having good shelter for these horses is making it so much worse.” 


Said Stobie: “It was mostly colic to start, and then about a month after the storm they were foundering from standing in water and on cement for so long. That was when we had no choice but to start euthanizing horses. Not a lot of them have been euthanized for other ailments or fractures or anything. 


“The euthanasia rate right now is the highest it’s been. We’re getting more horses than ever with laminitis now that the races are back up and running. I’m still begging the racetrack to rebuild the roofs.” 


Stobie and Blodgett will attend the Eclipse Awards ceremony to accept the Special Eclipse Award on behalf of countless individuals that participated in the relief effort. 


HORSEMEN RISKED LIVES AT SAN LUIS REY 


It started as a minor brush fire, first spotted in the late morning of Dec. 7 in northwest San Diego County. Fanned by unusually strong Santa Ana winds, with gusts of more than 60 miles per hour, within 30 minutes the fire had consumed 50 acres. Within the next hour it spread to 500 acres. By early afternoon, the blaze had expanded westward to the San Luis Rey Training Center in Bonsall, Calif., where about 450 Thoroughbred racehorses were stabled. 


As the Lilac Fire encroached, horsemen did what they could to protect their barns, dousing roofs with water from hoses. Training center staff smothered flames with dirt as spot fires popped up. Vans were summoned for emergency evacuation, but most found they either could not access the training center or could not make it in time. According to officials, the 2017 California wildfire season had been the worst on record, including five of the 20 most destructive fires in the state’s history. Drought conditions had left land prone to ignition. Between the wind and the dry fuels, the fire was gaining in size and strength by the minute.


Trainers, assistant trainers, foremen and grooms on the scene faced agonizing decisions as the fire moved across the property in scattershot fashion, from hillside to barn roof and sometimes by way of blazing palm trees, depending on where windswept sparks blew.


Decisions had to be made on the spot. Would it be best to leave horses in their stalls a little longer, in case help arrives, or let them free to fend for themselves. There was an obvious risk of allowing animals that had been contained and supervised their entire lives to run wild. And, given the risk of loss of life, how long should humans stay on site in the first place? 


Most of the horsemen stayed, risking their own well-being in hopes of saving their charges. When no other options were left, stall doors were opened and horses were pulled out, let loose to find their own way on the training track, the infield, or the burning barn area. Horses still trapped could be heard screaming as they burned in their stalls. 


Leo Tapia, a groom for trainer Peter Miller, broadcast live video on Facebook that showed the horror as it unfolded. The video showed Tapia run into one of his barns, unlatch stall guards and urge horses to flee while smoke consumed the shedrow and the 23-year-old Mexican choked for air. 


“I was a little bit afraid, but I didn’t let myself think about it,” Tapia told Chelsea Hackbarth of Paulick Report. “I just felt like my heart wanted to get out of my chest. But I couldn’t leave without helping my horses, and those of my friends.” 


Outside the barn, Tapia continued to document the scene as scores of frightened, loose horses ran in search of safety. The harrowing 10-minute video has more than 256,000 shares and 15 million views. 


“I wanted people to realize the magnitude of the tragedy,” Tapia said. 


As reported by Jeremy Balan of Blood-Horse this week, Martine Bellocq raced into her burning barn attempting to save an unraced 2-year-old, Wild Bill Hickory. The trainer suffered third-degree burns over 60 percent of her body and was unable to rescue the colt. Fellow trainer Manuel Cavario, stabled in the same barn with Bellocq, saw his neighbor engulfed in flames and snuffed them out with a blanket, perhaps saving her from an even worse fate.


Pierre Bellocq Jr., who had been loading another of their horses onto a van, returned to find his wife slumped on the ground, still burning and crying for Wild Bill Hickory. Martine was airlifted to UC San Diego Medical Center, Hillcrest, and placed in a medically induced coma. She remains under significant sedation and can’t speak. 


“As soon as they finish the skin grafts and all that, she may pick up some momentum,” Pierre told Balan. “She’s still on a respirator most of the time and there are tubes everywhere, but she can hear us. We’re going to keep talking to her and encouraging her.” 


Two additional horsemen suffered serious injuries – trainer Joe Herrick sustained second- and third-degree burns on his face, neck, arms, and hands while pulling 2-year-old filly Lovely Finish from his burning barn, and outrider Les Baker broke nine ribs and suffered facial lacerations when trampled by a fleeing herd. 


Forty-six horses died from the fire, according to the California Horse Racing Board. Nine of San Luis Rey’s 15 barns were destroyed.


A few days later, San Luis Rey general manager Kevin Habell gave Daily Racing Form executive columnist Jay Hovdey a tour of the aftermath, pointing out the skeletal remains of the barn of Scott Hansen, who lost 15 horses, as well as those of Herrick, Miller, and Cliff Sise, who each lost five. Sise has been lauded for freeing the horses of other trainers who weren’t present at the time. 


“We collected eight dead out on the track or the infield, from shock, or smoke inhalation, or heart failure,” Habell told Hovdey. “The rest, my men removed from the barns. I think I’ll want to get them some counseling.” 


About 250 horses from San Luis Rey were evacuated to the Del Mar Thoroughbred Club, which provided sanctuary to more than 800 animals in all. Others from San Luis Rey were either walked or vanned to surrounding farms, many by locals who rushed to the scene to lend a hand. 


Early the next morning, after the 4,100-acre fire was controlled and survivors had been relocated, hundreds of volunteers arrived at Del Mar before dawn to fill water buckets and watch for colic. Many came bearing supplies for horses and barn workers. 


A GoFundMe site to raise money for the horsemen most severely impacted raised more than $650,000, led by $50,000 from the Spendthrift Farm of Southern California racing fixture B. Wayne Hughes. Hughes also sent veterinary supplies and volunteers on a private plane from Kentucky. Five-digit donations were made by several prominent horsemen and industry groups. 


As San Diego Union-Tribune reporter Bryce Miller put it, after surveying a room packed wall to wall with donated supplies from around the globe: “A fire led to a heartwarming flood.” 


About the Eclipse Awards

A complete list of past Eclipse Award winners, including the Special Award recipients, can be accessed online at http://ntra.com/en/eclipse-awards/history. 


Tickets to The Eclipse Awards ceremony are on sale for $425 each or $4,000 for a table of 10.  For reservations, please contact Casey Hamilton of the NTRA at chamilton@ntra.com, or call (859) 422-2627. For more information on The Eclipse Awards, visit ntra.com/eclipse-awards. 


The Eclipse Awards are named after the great 18th-century racehorse and foundation sire Eclipse, who began racing at age five and was undefeated in 18 starts, including eight walkovers. Eclipse sired the winners of 344 races, including three Epsom Derbies. The Eclipse Awards are bestowed upon horses and individuals whose outstanding achievements in North America have earned them the title of Champion in their respective categories. Those awards are voted by NTRA, Daily Racing Form and the National Turf Writers and Broadcasters (NTWAB). Eclipse Awards also are given to recognize members of the media for outstanding coverage of Thoroughbred racing.


Edited NTRA release

By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
By Dick Downey January 21, 2025
Ed Bowen, a longtime NTWAB member, died on Jan. 20 at his home in Versailles, Ky. at age 82. His memory will be honored at the upcoming Eclipse Awards ceremony.
January 8, 2025
Lexington, Ky. (January 8, 2025) ―The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2024 Media Eclipse Awards in six categories.
January 5, 2025
The 2024 Eclipse Awards Finalists, with the exception of Horse of the Year, in alphabetical order.
By Natalie Voss January 2, 2025
The National Turf Writers and Broadcasters are pleased to announce the organization will support a record five internships at various horse racing media outlets in 2025.
December 18, 2024
Tim Layden, a member of National Turf Writers and Broadcasters, and former NTWAB members Ed Schuyler, Jr. and the late Edwin Pope have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.
November 22, 2024
Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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