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NTWAB Members Headline NBC Sports, Daily Racing Form Winners of Media Eclipse Awards

The National Thoroughbred Racing Association (NTRA), Daily Racing Form and the National Turf Writers and Broadcasters (NTWAB) today announced Media Eclipse Award winners in three categories, including one produced, narrated and written by NTWAB member Tom Hammond. Other NBC Sports figures recognized in the awards are also NTWAB members: Jerry Bailey, Donna Brothers, Larry Collmus, and Randy Moss.


NBC Sports is the winner of the Media Eclipse Award for Television – Live Racing Programming for its broadcast of the 2017 Kentucky Derby; NBC Sports also won the Television Features Media Eclipse Award for the NBCSN telecast of “My Kentucky Home,” about renowned broadcaster Tom Hammond.


Daily Racing Form was named for the Media Eclipse Award in the Audio and Multi-Media Internet category for “Chasing Man o’ War’s Ghost,” by Barbara Livingston. 


These winners will be presented trophies at the 47th Annual Eclipse Awards dinner and ceremony, which will be held on Thursday, Jan. 25, at Gulfstream Park in Hallandale Beach, Fla. The Eclipse Awards are presented by Daily Racing Form, Breeders’ Cup and The Stronach Group, and produced by the NTRA. 


Media Eclipse Awards for Writing in the News/Enterprise and Feature/Commentary categories, and for Photography, will be announced Thursday.


Under a sunny sky and over a sloppy track, NBC covered the 147th Kentucky Derby on the first Saturday in May before 158,070 on-track attendees at Churchill Downs and a television audience of more than 16 million viewers. In the final hour of its live coverage, NBC deployed reporters in the walkover of the 20 Derby starters from the backstretch to the saddling paddock, interviewing key trainers about final preparations of the horses. NBC also captured the time-honored tradition of fans singing “My Old Kentucky Home” as the horses exited the tunnel and entered the track for the colorful post parade.


During the race, NBC used an overhead camera shot for the gate break. Race Caller Larry Collmus quickly noticed something was amiss with Thunder Snow, who broke awkwardly and was escorted from the track. Cameras focused on Always Dreaming, who secured the lead near the end of the backstretch and held off all challengers to the wire. NBC cameras quickly moved to a shot of winning trainer Todd Pletcher, who watched the race on a screen in the paddock and gave a triumphant first pump. Analysts Jerry Bailey and Randy Moss spoke of the long hours of preparation and the successful working relationship between Pletcher and John Velazquez, who collaborated on their first Derby win together. On-air analysis credited Velazquez’s early positioning and ground-saving ride as a key to Always Dreaming’s victory. 


In capturing the 2017 Kentucky Derby, NBC utilized multiple specialty cameras, including a helmet camera on the outrider escorting the winning horse and jockey to the winner’s circle, a camera suspended 80-feet high on the Churchill Downs video board structure, a robotic camera in the paddock saddling area, and a camera focused on Collmus. 


“More than 50 cameras were deployed to showcase a tremendous week of racing beneath the famed Twin Spires at Churchill Downs,” said Rob Hyland, coordinating producer of NBC Sports Group’s horse racing coverage. “Our production team takes tremendous pride in covering horse racing’s biggest events. Our presentation of Always Dreaming’s Kentucky Derby victory and all the pageantry surrounding the first Saturday in May was a great way to start our Triple Crown season.” 


In addition to Hyland as coordinating producer, the Kentucky Derby broadcast was directed by Drew Esocoff. The program was hosted by Bob Costas and Mike Tirico, who were joined by analysts Randy Moss and Jerry Bailey, and analysts/handicappers Bob Neumeier and Eddie Olczyk. Donna Brothers, Carolyn Manno, Laffit Pincay III and Kenny Rice were the reporters. Larry Collmus was the race caller. 


NBC Sports also earned an honorable mention in this category for its live telecast of the 2017 Breeders’ Cup Classic, which aired on Nov. 4, 2017. Billy Matthews was coordinating producer of the NBC broadcast. 


Judges in the Television Live Programming category were Jim Bannon, racing analyst and member of the Canadian Horse Racing Hall of Fame; Toni Slotkin, former ABC Sports award-winning producer; and Chris Svendsen, director at CBC Sports.  


FEATURE TELEVISION WINNER “MY KENTUCKY HOME” A TRIBUTE

TO NTWAB MEMBER TOM HAMMOND’S CAREER AND LOVE OF THE BLUEGRASS STATE 


The Feature Television Award, “My Kentucky Home,” was televised on NBC Sports Network on Wednesday, May 3. The longtime host of NBC Sports Thoroughbred racing, Tom Hammond, is a member of NTWAB. He narrated his everlasting bond with his hometown of Lexington, and the broadcast legend took viewers on a tranquil journey in his yellow Thunderbird through the Bluegrass as he revealed a few of its signature traditions: Kentucky basketball, the finest Bourbon and the majestic horse farms that have been the birthplaces to the world’s greatest Thoroughbreds.


Hammond’s sojourn included visits with 2015 Triple Crown winner American Pharoah, the Woodford Reserve bourbon distillery and a chat with University of Kentucky Basketball Coach John Calipari. Hammond overlayed these scenes with some of his fondest career memories throughout the half-hour, culminating with the First Saturday in May at Churchill Downs. 


Hammond, who wrote and narrated the program, co-produced it with Dave Picker. Jack Felling and Rob Hyland were coordinating producers. 


“What a delight to receive an honor for a project that was an absolute labor of love,” Hammond said. “I hope my affection for Kentucky and especially its Thoroughbred industry was evident. It was great fun making the program and my thanks to all involved, especially to Jack Felling, Dave Picker and the crew for making it so memorable.” 


Honorable mention in the Feature Television category went to CBS News for “Photo Finish,” a story about multi-Eclipse Award winning photographer Barbara Livingston, who overcame eyesight disabilities to become one of her sport’s most accomplished professionals. “Photo Finish” aired during the “CBS News with Scott Pelley” on May 4, 2017. Jack Renaud was the producer. Honorable mention also went to “This Old Horse: California Chrome,” a biography of two-time Horse of the Year, California Chrome, which premiered on Ride Television on April 18, 2017. Nathan Fletcher was executive producer and Hilary Rushnell Kitzman was the producer and director. 


Judges in the Feature Television category were author, racing journalist and television producer Karen Johnson; former television photographer Drew Cook; and, television producer, Sirius XM Radio Host, and longtime racing voice of the Triple Crown, Dave Johnson.  


LIVINGSTON ANCHORS DRF’S AUDIO MULTI MEDIA AND INTERNET WINNER

“CHASING MAN O’ WAR’S GHOST"


Since she was 10 years old or so, Barbara Livingston has had a fascination with Man o’ War, a horse she learned about through story books. She still has a few handwritten stories and some 40 sketches she drew of him as a child.  


In winning her fifth Eclipse Award (three for Photography – 1992, 2001 and 2004 – and last year’s contribution of her photographs to Daily Racing Form’s winning submission in Audio Multi-Media and Internet category), Livingston attempted to unravel the essence of a larger than life figure who was arguably the greatest race horse of the 20th Century. She narrated, wrote the main article and contributed photographs on the 100th anniversary of Man o’ War’s birth,


Man o’ War won 20 of 21 starts in 1919-1920 during the “Golden Age of Sport,” and he continued to enjoy immense popularity with legions of visitors during his career at stud and until his death in 1947 at age 30. 


“He’s been a lifetime obsession for me, and I’ve been waiting for the 100th anniversary of his birth for at least the last 25 years,” said Livingston, Daily Racing Form’s chief photographer. “There is something about Man o’ War that transcends reality. He was so high-headed, so imperious, so superior, that he seems a mythical creature. And many books written about Man o’ War seemed to extend that myth. Man o’ War is everyone’s dream of what a racehorse should be.  


“I’ve tried to carry on his flame throughout the years and to win an award related to my biggest muse is a profound honor for me.”  


During a nine-minute video, produced by Daily Racing Form’s Craig Gorbunoff, Livingston retraced the locations where Man o’ War raced, lived during his stallion career, and is buried. Those locations include the long-shuttered Havre de Grace racetrack and Glen Riddle Farm in Maryland; and Faraway Farm (now Mt. Brilliant Farm), Man o’ War Farm, and the Kentucky Horse Park in Lexington, Ky. Empty and broken-down stalls abound. Yet, for Livingston, Man o’ War’s ghost is still – and will forever be – ever-present.  


Photographs Livingston shot over more than 40 years are included, including side-by-side comparative photos of Man o’ War’s barns from various years. Several of her childhood Man o’ War images also appear. The multi-media display also includes a short excerpt from a national radio broadcast of Man o’ War’s funeral. 


As a part of the Daily Racing Form team, the video was produced by Gorburnoff, and the graphic design, which included a Man o’ War timeline, was provided by Jim Sewastynowicz. Nicole Russo also contributed an additional historical feature on the legacy of Man ‘o War. 


The winning entry can be viewed here: http://www.drf.com/manowar. 


Honorable mention in the Audio Multi Media and Internet category went to Sirius XM Radio’s “At the Races with Steve Byk” for “Garrett Gomez Remembered,” its broadcast on the tragic death of the four-time Eclipse Award-winning jockey. Steve Byk was host and executive producer. The program aired on Dec. 16, 2016. Honorable mention also went to Jockey Talk 360 for “Behind the Sciences at the Pegasus World Cup,” which was posted on Aug. 21, 2017. Darrell Haire was the executive producer, and Darrell Haire II and Hector Cruz Sandoval were the producers. 


Judges in the Audio Multi Media-and Internet category were Ashley Cagle of Grand Slam Social; Brian Nadeau of Horseplayer Now; Joe Withee, Director of Broadcast Publicity at Emerald Downs; and John Lee, Executive Director of Goodman Media International. 


Tickets to The Eclipse Awards ceremony are on sale for $425 each or $4,000 for a table of 10.  For reservations, please contact Casey Hamilton of the NTRA at chamilton@ntra.com, or call (859) 422-2627. For more information on The Eclipse Awards, visit https://www.ntra.com/eclipse-awards/.


The Eclipse Awards are named after the great 18th-century racehorse and foundation sire Eclipse, who began racing at age five and was undefeated in 18 starts, including eight walkovers. Eclipse sired the winners of 344 races, including three Epsom Derbies. The Eclipse Awards are bestowed upon horses and individuals whose outstanding achievements in North America have earned them the title of Champion in their respective categories. Those awards are voted by NTRA, Daily Racing Form and the National Turf Writers and Broadcasters (NTWAB). Eclipse Awards also are given to recognize members of the media for outstanding coverage of Thoroughbred racing.


Edited NTRA release with additional content by Dick Downey

The National Thoroughbred Racing Association (NTRA), Daily Racing Form and the National Turf Writers and Broadcasters (NTWAB) today announced Media Eclipse Award winners in three categories, including one produced, narrated and written by NTWAB member Tom Hammond. Other NBC Sports figures recognized in the awards are also NTWAB members: Jerry Bailey, Donna Brothers, Larry Collmus, and Randy Moss.

By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
By Dick Downey January 21, 2025
Ed Bowen, a longtime NTWAB member, died on Jan. 20 at his home in Versailles, Ky. at age 82. His memory will be honored at the upcoming Eclipse Awards ceremony.
January 8, 2025
Lexington, Ky. (January 8, 2025) ―The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2024 Media Eclipse Awards in six categories.
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Tim Layden, a member of National Turf Writers and Broadcasters, and former NTWAB members Ed Schuyler, Jr. and the late Edwin Pope have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.
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Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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