Blog Layout

Dear Bill

We present a series of tributes to our colleague Bill Mooney, a truly inspirational figure in our ranks, from friends and fellow members of the National Turf Writers and Broadcasters.


Bill is nearing the end of his valiant fight with cancer, and his remaining time with us is short. The way he has conducted himself throughout his life, including the months that passed after he was diagnosed, led to the creation during Tom Pedulla's presidency in 2015 of the Bill Mooney Award for displaying courage in the face of tremendous adversity. President Alicia Wincze Hughes approved a request for these tributes, and as you are about to see, the response has been great.


Following the tributes, there is more about Bill's life, his achievements and his contributions to our calling.


______________


We have admired your gallantry to "not go gentle into that good night." If, however, you perceive a journey’s completion, settle in for the ultimate victory of peacefulness. God bless you.


-- Ed Bowen



You’ve submitted a treasure trove of stories over the years by digging deeply into the “why?” instead of lingering on the “what?”. Your dedication to your craft and to the sport of horse racing is unparalleled. I wish we would’ve known each other better, but I enjoyed talking with you the other day and know that you will carry God’s grace with you wherever you are. Much love,


-- Donna Brothers


 


Though I have never had the pleasure of meeting you face to face, I nevertheless want to extend my wishes and let you know that you have been an inspiration to me for your courage, your strength and your good spirit. Thank you. For everything you have done in every aspect of your life, personal and professional. Very sincerely yours,


--Alan Carasso


 


I am forever grateful to Bill for unknowingly steering me to a career in racetrack publicity and turf writing. First he convinced me to do an article for The Thoroughbred Record and made sure it got published. Then he recommended me for a job in the Oaklawn Park press box that inadvertently led to a position at Canterbury Downs during the inaugural season. Like so many others, Bill was unable to get me completely out of the barns, but thanks to him I am able to blend racehorses and race writing into a fun-filled career and lifestyle. So many thanks to Bill!


-- Liane Crossley


 


I met Bill Mooney in June 2002 when I started at Thoroughbred Times. Of course, his credentials were impressive: Author, Eclipse Award winner, New York Times reporter, etc. What stuck out most, though, is two months later when I saw his name showing up on Mountaineer press releases ahead of the West Virginia Derby. As a young reporter who "grew up" at Thistledown, I worried that I'd lose my roots among the roses and dogwoods of Kentucky. Seeing a colleague like Bill embrace Mountaineer gave me confidence that the Sport of Kings doesn't always have to be covered in its palaces.


-- Ed DeRosa


 


Bill, your courage has been a tremendous inspiration to all of us. Be strong and know your legacy will always be in the hearts and minds of your friends and colleagues in the NWTAB.


-- Bob Ehalt


 


When I was a young turf writer just starting out, Bill took the time to befriend me and mentor me. We shared a passion for the obscure side of racing. Like me, he loved to explore the sites of old, abandoned racetracks. A trip to Berkshire Downs, anyone? He's a person with a big passion for the game and an even bigger heart.


-- Bill Finley


 


Hey Bill, your courage and dignity have made a lasting impression on us all. You are truly an inspiration! Godspeed my friend.


-- Tom Hammond


 


Bill has been a dear friend to me and my son for more than two decades. Bill and I wrote for the same magazines, The Backstretch and Thoroughbred Times, and I'm proud to say that Bill won his second Eclipse Award for a story he did in my short-lived magazine, Thoroughbred Style. Bill and I have both had one single piece of fiction published. The two stories not only appeared in the same magazine, but on adjoining pages. We always get a kick out of that. Bill has a wonderful perspective on being real about what we do -- he once told me we write stories about horses running in circles. Yet I've always admired Bill's hard work to do his beautifully written stories. He does his homework and he gets it right. What more can a writer do? Bill and I spoke recently on a subject dear to both of us - the New York Giants. He's as obsessed as my son and I. How could I not love him? As Bill continues his brave battle, he has taught all of us a valuable lesson of what courage and determination really mean. He is one tough man.


-- Bill Heller


 


Your courage is an inspiration. Wishing you comfort, satisfaction and peace of mind as your journey continues ever more.


-- Ed Golden


 


I was not in the game when you were near the top of it. But your work is among that work I'll read and reread to learn to get right. I was privileged to have an e-mail exchange just last week with you, Bill. Your attitude was precisely what I would have expected: gracious, uplifting and grateful. We have too few people like you in the sport - no, in the world! Bill, you may be nearing your personal finish line, but we all have been privileged to witness your run. I hope I can approach the final furlong of my own race with similar grace and courage. Peace.


-- Richard Gross


 


While I have many wonderful memories from my years knowing and admiring Bill Mooney, it's an early one that really says a great deal about who Bill is, why he has been important to racing journalism and further solidified the respect of his peers in the NTWAB. Twenty years ago, writer Stephanie Diaz was announced as the winner of both Eclipse Awards for writing available in 1995: magazine and newspapers. Questions arose about the articles. Several people quoted in the stories said that they had not been interviewed by Diaz or that they had never said some of the things that appeared as quoted material in Diaz's pieces. There were allegations of plagiarism. The NTWAB became involved and spent thousands of dollars on lawyers' fees -- I recall it being north of $40,000 -- to investigate and represent us in this matter. Many NTWAB members felt strongly about the developing controversy and spoke out about what looked to be violations of basic rules of journalism, but no one was more passionate than Bill. He was incensed, particularly that Diaz blamed editors for some of the issues. The NTWAB was partially successful. The magazine award was vacated by an arbitrator, though we asked that both be taken away, and Bill deserves some of the credit for personally never taking a step back and for keeping the organization involved.


I will forever be in debt to Bill. He supported and encouraged me when I was a younger writer covering racing and through some difficult years I had during my time at the National Museum of Racing and Hall of Fame. He set a great example of how important first-hand research can be when he discovered that the New York Racing Association's media guide was wrong crediting Sylvester Veitch with holding the record for most wins by a trainer at Saratoga. Bill is a fine writer and historian, a very good person, friend and mentor. I am so happy that our paths crossed many years ago in the press box at Saratoga Race Course. Lucky me.


-- Mike Kane


 


Years ago, when I wrote for Daily Racing Form, I spent a lot of time at the Keeneland Library -- researching stories, reading about pedigrees, etc. Never was I there that Bill was not also in the building. I always admired his strong desire and will to spend hours digging for nuggets that might make a story just a little bit better. His readers were the beneficiaries of his hard work. I imagine that like myself, Bill is not a fan of Twitter. Why say something in 140 characters when you can say it in 2,000 words? Because in depth is not just how Bill wrote, in depth describes Bill’s character.


-- Dan Liebman


 


Not only has Bill excelled as a writer and reporter during his distinguished career as a turf writer, in my mind he is greatest racing historian of our time.


-- Neil Milbert


 


Here on the threshold of man's greatest adventure, I say bravo for handling it all with such class and dignity. You have been an inspiration for all to face our toughest challenges boldly. Thank you for all the beautiful word-pictures you created for our education and our entertainment. For myself, I have long appreciated your eye for detail, your ear for story, and your steady proving that language can resonate like music. Go in peace, my friend.


-- Eric Mitchell


 


As a co-worker, competitor, and friend of Bill Mooney for the last three decades I can attest that (apologies to Carly Simon) “nobody does it half as good as you.” During that time, I was always in awe of the thoroughness and quality of Bill’s work. It was great to work with Bill but very frustrating to compete against him. At times, when I was in a position to edit any of Bill Mooney copy, I knew I could take a short cut and not do the requisite fact-checking, both due to to Bill’s relentless pursuit of facts and his accuracy. At some point, we grew apart professionally and personally, but in recent years rekindled our relationship. During our Ramsey lunches, Bill continued to impart his insightful observations of our industry, especially some the absurdities, along with many enjoyable stories and a healthy dose of humor . His adventure over the last two years should be a motivating factor for anyone who finds themselves in a seemingly impossible position, no matter the circumstances. Thanks Bill.


-- Ron Mitchell


 



If aspiring young turf writers asked for an example to follow, I would point to Bill Mooney, to his determination to unearth information, make certain of its accuracy and write it well. I also would tell them Bill is a fine writer but a greater man, prized for integrity, character and class. He is among the best of this, or any, era.


-- Tom Pedulla


 


As a long time journalist and wordsmith, you understand how hackneyed the term "one of the good guys" can be. In your case, the only change I would make is to print the word GOOD thusly. Although our time was brief, I always looked forward to and appreciated our annual visits in the Saratoga press box, in the days when turf writers and good writing was appreciated. Godspeed my friend.


-- John Pricci


 


It’s a rare individual who can look beyond his own adversity and suffering to cater to others. Bill Mooney has been an encourager and comforter to those around him, as well as his turf media brethren, during his health battle. His strength of character is an inspiration, and one that leads me to commend the NTWAB for instituting in 2015 the Bill Mooney Award for displaying courage in the face of tremendous adversity. The courage and class Bill Mooney has displayed throughout his ordeal is uncommon in nature. It is fitting that this award be given out when a person’s generous spirit under extreme adversity is so evident that it calls to mind our unforgettable friend Bill Mooney.


-- Mary Rampellini


 


Your writing has been an inspiration to so many turf writers. When I first came onto the scene in the 1970's at The Blood-Horse, I read your stories with avid interest and a little bit of envy. You were able to make nonfiction exciting and interesting. Thank you for the great stories through the years! With gratitude,


-- Julie Howell Turner Sarno


 


Bill Mooney embodies the best of the what a turf writer and turf publicist are; he is the consummate professional. Even better, he is an extraordinary human being. He is a true gentleman, and a man of integrity, honesty and decency. I am proud to call Bill my colleague, and prouder still and delighted to know he is my friend.



-- Lynne Snierson


_______________


One manifestation of Bill's courage is an ever-present sense of humor.


"When I finally check out," Mooney recently wrote, "I'd like to have racetracks around the country to have a moment of noise for me. Not silence. Noise."


_______________


Almost last, but certainly not least, we note that Bill was presented the 2012 Walter Haight Award at the NTWAB Annual Awards Dinner. A link to the excellent dinner program story about Bill's colorful career and achievements is here.


In conclusion Bill, three cheers to you, and thank you for all you've done for the National Turf Writers and Broadcasters and for displaying courage in the face of tremendous adversity.


-- Compiled and edited by Dick Downey



We present a series of tributes to our colleague Bill Mooney, a truly inspirational figure in our ranks, from friends and fellow members of the National Turf Writers and Broadcasters.

By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
By Dick Downey January 21, 2025
Ed Bowen, a longtime NTWAB member, died on Jan. 20 at his home in Versailles, Ky. at age 82. His memory will be honored at the upcoming Eclipse Awards ceremony.
January 8, 2025
Lexington, Ky. (January 8, 2025) ―The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2024 Media Eclipse Awards in six categories.
January 5, 2025
The 2024 Eclipse Awards Finalists, with the exception of Horse of the Year, in alphabetical order.
By Natalie Voss January 2, 2025
The National Turf Writers and Broadcasters are pleased to announce the organization will support a record five internships at various horse racing media outlets in 2025.
December 18, 2024
Tim Layden, a member of National Turf Writers and Broadcasters, and former NTWAB members Ed Schuyler, Jr. and the late Edwin Pope have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.
November 22, 2024
Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
More Posts
Share by: