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Leggett, "Peb" Named To National Museum of Racing’s Joe Hirsch Media Roll of Honor

The late writer William "Bill" Leggett and cartoonist Pierre “Peb” Bellocq, both Eclipse Award winners with ties to NTWAB, have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.


Leggett, who was born in Saratoga Springs in 1931, became one of racing’s most celebrated and respected writers during his 30-year career at Sports Illustrated. After graduating from Saratoga Springs High School, Leggett earned a degree from Seton Hall University. He had a brief stint in the Army before being hired by Sports Illustrated as a researcher and football writer.


It didn’t take long for Leggett to get noticed. His beat expanded to coverage of baseball, college and professional basketball, and both Thoroughbred and harness racing. Leggett also covered the Olympics, including the U.S. hockey team’s 1980 upset of the Soviet Union. He was eventually named Turf Editor for Sports Illustrated.


Leggett was the elected president of the National Turf Writers Association (now National Turf Writers and Broadcasters) from 1978 to 1982, winning an Eclipse Award for his racing writing in 1979. He also headed the New York Turf Writers Association.


After retiring from Sports Illustrated in 1986, Leggett continued his coverage of the Thoroughbred racing as the New York correspondent for Thoroughbred Times and as a columnist for The Saratogian’s racing supplement, The Pink Sheet.


“He had a tremendous knowledge of Thoroughbred racing,” said the late Whitney Tower, who worked with Leggett at Sports Illustrated for nearly 20 years. “He was an exceptional man, a great talent, and he contributed a lot to the success of Sports Illustrated. He knew his way around. The trainers respected him. He was very popular.”


In 1993, Leggett was one of the eight inaugural members of the Saratoga Springs Sports Hall of Fame. He died three years later in New York City at the age of 64.


Bellocq, 94, was born in France in 1926. At age 19, the French racing journal France Courses gave him national exposure by publishing one of his cartoons of a jockey. Bellocq inscribed the drawing as “Peb,” a signature that became his lifelong moniker.


By 1954, Bellocq’s work had achieved international acclaim, and he was contracted by Laurel Park owner John D. Schapiro to do drawings for the prestigious Washington, D.C. International Stakes. Bellocq decided to relocate to the United States and in 1955 accepted an offer to work as the staff cartoonist for the Morning Telegraph and its sister paper, the Daily Racing Form, a job he held until December 2008.


Early in this career, Bellocq also produced political cartoons for the Philadelphia Enquirer while simultaneously working for the Form. Bellocq eventually transitioned his primary focus to Thoroughbred racing.


“My father was a jump jockey in the south of France, and my grandfather was a trainer. His father was a breeder. I was among horses right from the start,” Bellocq said.


Along with his work for the Form, Bellocq has been commissioned by numerous racetracks to produce vibrant murals capturing the flavor of the sport. His large-scale cartoon collages became fixtures at tracks such as Churchill Downs, Del Mar, Arlington Park, Oaklawn Park, Aqueduct Racetrack and The Meadowlands.


His popular work at Daily Racing Form led to his induction as an Honorary Member of the National Turf Writers Association. NTWAB bylaws describe Honorary Members as "people who have made significant contributions to racing and breeding journalism."


Bellocq has also produced several books. His first, published in 1957, consisted of 150 cartoons and was titled “Peb’s Equine Comedy.” Bellocq also illustrated the 1969 Joe Hirsch book “A Treasury of Questions and Answers from the Morning Telegraph and Daily Racing Form.” In 2004, he created drawings for Ed Hotaling’s book on Hall of Fame jockey Jimmy Winkfield, whom Bellocq had known personally when the rider was living and racing in his hometown of Maisons-Laffitte.


Bellocq has received numerous awards for his work, which has been exhibited extensively.


In 1980, he received an Eclipse Award for his contributions to racing, and he was presented The Jockey Club Medal in 2016. Bellocq also received the National Cartoonists Society 1991 Sports Cartoon Award and their 1999 Newspaper Illustration Award. In 1998, the Daniel Wildenstein Art Gallery in New York held an exhibition of Bellocq’s work titled The Racing World in Sketch and Caricature. From July 2004 through December 2005, the National Museum of Racing and Hall of Fame put on a special exhibition of his works titled Peb: The Art of Humor, which celebrated his 50th anniversary of horse racing artwork in the United States.


Previous selections to the Joe Hirsch Media Roll of Honor are Steven Crist (2010), Bill Nack (2010), Red Smith (2010), Charles Hatton (2010), Dr. Russ Harris (2011), Joe Palmer (2011), Jay Hovdey (2012), Whitney Tower (2012), Andrew Beyer (2013), Kent Hollingsworth (2013), George F. T. Ryall (2013), Jennie Rees (2014), Jim Murray (2014), Steve Haskin (2015), Raleigh Burroughs (2015), Maryjean Wall (2016), Jim McKay (2016), Michael Veitch (2017), Jack Whitaker (2017), Barney Nagler (2017), Joe Burnham (2018), Tom Hammond (2018), Charlsie Cantey (2019), and Billy Reed (2019).


The National Museum of Racing’s Joe Hirsch Media Roll of Honor was established in 2010 to recognize individuals whose careers have been dedicated to, or substantially involved in, writing about Thoroughbred racing (non-fiction), and who distinguished themselves as journalists. The criteria has since been expanded to allow the inclusion of other forms of media.  


Often referred to as the dean of Thoroughbred racing writers, Hirsch won both the Eclipse Award for Outstanding Writing and the Lord Derby Award in London from the Horserace Writers and Reporters Association of Great Britain. He also received the Eclipse Award of Merit (1993), the Big Sport of Turfdom Award (1983), The Jockey Club Medal (1989), and was designated as the honored guest at the 1994 Thoroughbred Club of America’s testimonial dinner. The annual Grade 1 Joe Hirsch Turf Classic Invitational at Belmont Park is named in his honor. Hirsch was also a former chairman of the National Museum of Racing and Hall of Fame Nominating Committee. He died in 2009.


The Joe Hirsch Media Roll of Honor Committee is comprised of Edward L. Bowen (chairman), author of more than 20 books on Thoroughbred racing; Bob Curran, retired Jockey Club vice president of corporate communications; Ken Grayson, National Museum of Racing trustee; Jane Goldstein, retired turf publicist; Steve Haskin, Secretariat.com; G. D. Hieronymus, retired Keeneland Director of Broadcast Services; and Dan Smith, senior media coordinator of the Del Mar Thoroughbred Club.  


Edited release with additional content by Dick Downey

By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
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Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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