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Jerardi, Moran Named to Joe Hirsch Media Roll of Honor

Past and present NTWAB members Paul Moran and Dick Jerardi are among three selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor, the National Museum of Racing announced Dec. 12.


Jerardi, a decades-long NTWAB member, grew up in Baltimore and graduated from the University of Maryland. He attended his first Preakness in 1973 and played a role in Pimlico Race Course officials erecting a fence to keep infield fans from getting too close to the inside rail after dozens did just that to get a glimpse of Secretariat. Jerardi became immersed in the game at Pimlico, Bowie, Laurel, and Timonium almost daily from 1977 to early 1985. He began authoring freelance articles about horse racing for the Baltimore News American and was the racing writer for Sports First, a Baltimore paper dedicated exclusively to sports that lasted just a year beginning in 1983.

In February 1985, Jerardi was hired as the horse racing writer for the Philadelphia Daily News and became a fixture on the national scene. He covered every Triple Crown race from 1987 through 2017 and nearly every Breeders’ Cup during the same period while writing more than 7,000 stories for the paper during 33 years there — mostly about horse racing — with time covering college basketball and some football and baseball coverage mixed in along with the 1992 Summer Olympics in Barcelona. He covered 25 Final Fours for the Daily News and has been radio analyst for Penn State basketball since 2005. Jerardi was a Daily Racing Form weekly columnist for 20 years and was a charter member of the Beyer Speed Figure team first assembled in the mid-1980s.

Jerardi’s said his favorite experiences in racing occurred from 2004 through 2006, when three horses with Philadelphia connections — Smarty Jones, Afleet Alex and Barbaro — won five of seven Triple Crown races, with a second and a third.

In 2006, Jerardi won the Eclipse Award for his series on the late, great Barbaro. He won the Red Smith Award for Kentucky Derby coverage five times and is a three-time winner of the Joe Hirsch Award for best Breeders’ Cup story. He was honored for the best Preakness story in 2004. In 2007, Jerardi was chosen by the National Turf Writers and Broadcasters, then known as the National Turf Writers Association, to receive the Walter Haight Award for career excellence in turf writing.

His career also includes television. Jerardi is co-host of Let’s Go Racing, a 30-minute weekly horse racing show in the Philadelphia market since 1992, and he's been providing live analysis for a Pennsylvania Derby TV show annually since 2011. Additionally, he has served as a co-host for the Maryland Million on HRTV from 2009 through 2014 and has mades appearances throughout the country on radio shows prior to Triple Crown races and Breeders’ Cup sincde 2005. Jerardi was an ESPN panelist for Kentucky Derby preview coverage from 2005 to 2007, Preakness (2006) and Breeders’ Cup shows (2005 and 2006).

Moran (1947 ̶ 2013) was born in Buffalo, N.Y., and graduated from the University at Buffalo. He served in Vietnam and the Middle East as a sergeant in the Air Force before beginning a distinguished career in sports journalism, primarily known for his prowess as a racing writer.

Following his military service, Moran wrote about a variety of sports for the Tonawanda News near his hometown. He covered his first Triple Crown races in 1973 during Secretariat’s historic run and continued to cover the series without interruption for the next 35 years. Moran worked for the Fort Lauderdale Sun Sentinel from 1975 to 1985 then joined the staff at Newsday on Long Island, N.Y., where he worked until 2008. 

Moran won two Eclipse Awards while at Newsday. His 1985 Eclipse was for a profile on Daily Racing Form columnist Joe Hirsch. Five years later, Moran was honored with his second Eclipse for his piece about the tragic breakdown of Hall of Fame filly Go for Wand. He also won the Red Smith Award for his Kentucky Derby coverage, as well as the Associated Press Sports Editors Award from the American Society of Newspaper Editors in 1990 and the Distinguished Sports Writing Award from the New York Newspaper Publishers Association in 1992.

Moran served on the board of directors of the National Turf Writers Association from 1987 to 1990 and was president of the New York Turf Writers Association from 1990 to 1992. Moran semi-retired to Saratoga Springs, N.Y., in 2008 but continued to write for various outlets including ESPN.com, and worked six Saratoga meetings for The Associated Press. Moran was a contributor to the book Crown of Jewels of Thoroughbred Racing and his work was regularly featured in a variety of magazines. 

Along with writing about racing, Moran was a participant in the sport as an owner of several New York-bred horses trained by James Bond. After a three-year battle with cancer, Moran died in November 2013. The following summer, a group of Moran’s friends and colleagues scattered his ashes in the Saratoga Race Course infield near the grave of Go for Wand, per Moran’s wishes.

The New York Times said Moran was “the last true turf writer, whose written words and outsize personality belonged on the same page and in the same press box with Ring Lardner and Damon Runyon, Joe Palmer and Red Smith.” ESPN.com added that he “brought a deep understanding of the sport and its history. With such a perspective, he could peer through a fog of pretense and publicity to see the real story. He had a mordant wit and could unleash a sardonic cleverness; he could be profoundly entertaining and entertainingly profound, but he always respected the sport and its competitors.”

John L. Hervey (1870 ̶ 1947), a native of Jefferson, Ohio, is the third 2023 Joe Hirsch Media Roll of Honor designee. Hervey began writing about thoroughbred and standardbred racing around the age of 16. Raised in a horseman’s family, Hervey developed a considerable knowledge of the art and science of horse breeding. While still a teenager Hervey put that knowledge to good use when he was hired by William Fasig to work in his sales organization — the Tipton Company of Cleveland, later becoming the famous Fasig-Tipton Company — and soon he was writing articles for a variety of turf journals.

Through his connection with Fasig, Hervey became editor of The Trotting Horse in 1892. He also provided racing coverage for the Chicago Tribune in the 1890s and became one of Daily Racing Form’s first contributors. He remained an occasional correspondent for the Form until his death. In 1912, Hervey became editor for The Thoroughbred Record. It was during this period that Hervey, who used the pen name “Salvator” in honor of the Hall of Fame racehorse, became widely regarded as one of America’s foremost authorities on all aspects of racing and breeding. Other publications Hervey wrote for included The Blood-Horse, Breeder and Sportsman, The Harness Horse, Hoof Beats, and The Thoroughbred of California, among others.

The Jockey Club hired Hervey to research and document American racing’s history in a multi-edition work, Racing in America. Hervey wrote three volumes in the series, the periods 1665 to 1865 (split into two books) and 1922 to 1936. Hervey’s exhaustively researched Racing in America books are considered by many to be his important works. He was also commissioned to write several volumes of the annual book American Race Horses, which was originally sponsored by Alfred G. Vanderbilt.

In 1947, Hervey was contracted by the Trotting Horse Club of America, Inc., to author the book The American Trotter, which has been revered as “the most comprehensive history of the standardbred ever published,” according to The California Thoroughbred. Hervey, who died in December 1947, was so well thought of in harness racing that he was posthumously inducted into the Harness Racing Hall of Fame in 1962. The John Hervey Awards for excellence in harness racing journalism are named in his honor. 

Previous selections to the Joe Hirsch Media Roll of Honor are Steven Crist (2010), Charles Hatton (2010), Bill Nack (2010), Red Smith (2010), Dr. Russ Harris (2011), Joe Palmer (2011), Jay Hovdey (2012), Whitney Tower (2012), Andrew Beyer (2013), Kent Hollingsworth (2013), George F. T. Ryall (2013), Jim Murray (2014), Jennie Rees (2014), Raleigh Burroughs (2015), Steve Haskin (2015), Jim McKay (2016), Maryjean Wall (2016), Barney Nagler (2017), Michael Veitch (2017), Jack Whitaker (2017), Joe Burnham (2018), Tom Hammond (2018), Charlsie Cantey (2019), Billy Reed (2019), Pierre “Peb” Bellocq (2020), William Leggett (2020), Walter Haight (2021), Jack Mann (2021), Jay Privman (2021), Heywood Hale Broun (2022), Bert Morgan (2022), and Damon Runyon (2022).

The National Museum of Racing’s Joe Hirsch Media Roll of Honor was established in 2010 to recognize individuals whose careers have been dedicated to, or substantially involved in, writing about thoroughbred racing (non-fiction), and who distinguished themselves as journalists. The criteria has since been expanded to allow the consideration of other forms of media.

Often referred to as the dean of thoroughbred racing writers, Hirsch won both the Eclipse Award for Outstanding Writing and the Lord Derby Award in London from the Horserace Writers and Reporters Association of Great Britain. He also received the Eclipse Award of Merit (1993), the Big Sport of Turfdom Award (1983), The Jockey Club Medal (1989), and was designated as the honored guest at the 1994 Thoroughbred Club of America’s testimonial dinner. The annual Grade 1 Joe Hirsch Turf Classic Invitational at Belmont Park is named in his honor. Hirsch, who died in 2009, was also a former chair of the National Museum of Racing and Hall of Fame Nominating Committee and the founder of the National Turf Writers Association.

The Joe Hirsch Media Roll of Honor Committee is comprised of Edward L. Bowen (chairman), author of more than 20 books on thoroughbred racing; Bob Curran, retired Jockey Club vice president of corporate communications; Ken Grayson, National Museum of Racing trustee; Jane Goldstein, retired turf publicist; Steve Haskin, Secretariat.com and longtime BloodHorse columnist; G. D. Hieronymus, retired Keeneland director of broadcast services; Jay Hovdey, five-time Eclipse Award-winning writer; and Dan Smith, retired senior media coordinator of the Del Mar Thoroughbred Club.


Edited release

By Dick Downey January 24, 2025
Twitter posts @NTWAB by Dick Downey
By Dick Downey January 21, 2025
Ed Bowen, a longtime NTWAB member, died on Jan. 20 at his home in Versailles, Ky. at age 82. His memory will be honored at the upcoming Eclipse Awards ceremony.
January 8, 2025
Lexington, Ky. (January 8, 2025) ―The National Thoroughbred Racing Association, Daily Racing Form, and the National Turf Writers and Broadcasters today announced the winners of the 2024 Media Eclipse Awards in six categories.
January 5, 2025
The 2024 Eclipse Awards Finalists, with the exception of Horse of the Year, in alphabetical order.
By Natalie Voss January 2, 2025
The National Turf Writers and Broadcasters are pleased to announce the organization will support a record five internships at various horse racing media outlets in 2025.
December 18, 2024
Tim Layden, a member of National Turf Writers and Broadcasters, and former NTWAB members Ed Schuyler, Jr. and the late Edwin Pope have been selected to the National Museum of Racing’s Joe Hirsch Media Roll of Honor.
November 22, 2024
Outlets are encouraged to apply by Dec. 16.
November 8, 2024
Lexington, KY, November 8, 2024: The Eclipse Awards for Media are presented by the National Thoroughbred Racing Association (NTRA), Daily Racing Form, and the National Turf Writers And Broadcasters. Rules governing the Media Eclipse Awards are established by representatives of the three presenting organizations. MEDIA ECLIPSE AWARD CATEGORIES Writing - News/Enterprise Writing - Feature/Commentary Photography Television - Live Racing Programming Television - Features Audio/Multimedia Internet DEADLINE FOR SUBMISSIONS Entries must be RECEIVED by 5:00 p.m. (ET), Friday, November 15, 2024. Entries received after that time will not be accepted. Entries for the Writing, Photography, and Audio/Multimedia Internet, and Television awards will be accepted through the Eclipse Awards Submissions Portal. Instructions are in the link below: https://www.ntra.com/eclipse-award-media-submission-portal/ ENTRY FEE None RULES Entries should display outstanding achievement in the coverage of North American Thoroughbred racing and must have been primarily published or aired for the first time between November 20, 2023, and November 14, 2024. All submissions are limited only to works pertaining to the Thoroughbred breed , and no other equine breed. Submissions on subjects, topics, and individuals that took place exclusively outside of North America will not be accepted. Print and Internet submissions (news/enterprise writing, feature/commentary writing, and photography) must have been published in a paid-circulation, independent publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation, independent publication, recognized broadcast news organization (e.g., The BloodHorse Interactive, the Boston Globe Online, MSNBC) or on an independent, non-industry supported website. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Television entries must have aired on a commercial, subscription or public television station. Audio/Multimedia entries must have aired on a commercial or public radio station or been broadcast on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Fiction or entries that constitute a commercial application (e.g., advertisements, publicity or promotions) are not eligible in any category. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Submissions by industry outlets are subject to review by the Eclipse Award Steering Committee prior to official entry into the competition in all categories. LETTERS OF ENTRY Entries must originate with the author (print submissions) or producer (audio/multi-media Internet and television submissions). All entries must include a cover letter, and uploaded in the Submissions Portal from the author (for print submissions), photographer (for photography submissions), or producer (for audio/multimedia Internet and television), stating his/her wish to enter his/her materials; publication/broadcast information (outlined below); and contact information (name, address, telephone, fax, cell phone and e-mail, as applicable). Please indicate the category of each submission in your cover letter. If you are submitting in two distinct categories please include two separate cover letters. The cover letter in the two writing categories, photography and audio/multimedia must be written in a stand-alone Word Document and uploaded to the Submissions Portal. Please include the date that the media organization published the article, in the cases of the writing and photography awards, or the air date of a multi-media/internet submission. DO NOT include information in your cover letter extolling the virtues of your story and the “impact” on the public at large, or the time and effort devoted to writing or producing the entry. The judges will not see your letter, and it will have no bearing on the outcome of the competition. Editors may submit print materials on behalf of authors, provided such submissions include the cover letter described above. All other third-party submissions will be rejected. In the writing categories, submissions by editors on behalf of multiple writers from a publication on a feature subject, special section, or a compendium of stories on breaking news will be rejected. Authors and producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. The presenting organizations reserve the right to determine the eligibility of all entries and to disqualify an entry at any time, including after the determination of an award, at its sole discretion. The presenting organizations reserve the right not to bestow an award in a particular category, based on the quantity or (as determined by a panel of judges) the quality of submissions. Questions concerning eligibility should be directed to the address for entries, listed below. By submitting an entry for consideration, the entrant represents and warrants that submission is a factual and accurate depiction of the subject it concerns. LIMITS ON ENTRIES Two per entrant, per category (with an exception for a multi-part series in the writing categories). Entrants in the writing categories are limited to submissions by the individual author, or by the author’s editor, with permission from the author. Upon submission, you will receive an automatic reply from NTRA to notify you that your entry or entries have been received. The NTRA will contact you directly if there are any rules or issues with your submission. It is the obligation of the individual to follow up if he or she did not receive an automatic reply in the writing, multi-media, and photography categories. MEDIA ECLIPSE AWARDS CATEGORIES 1) News/Enterprise and Feature/Commentary Writing There are two categories of competition for Writing awards: 1) News/Enterprise – Submission guidelines for works in this category are the following: timely, hard news articles and expository pieces involving concentrated background research, investigative reporting, or news analysis. 2) Feature/Commentary – Submission guidelines for works in this category are columns, opinion pieces, essays, viewpoints, and biographical profiles. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. However, standard press releases will not be accepted. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. Please note that competition in the Writing categories is limited to three (3) authors in the byline for single articles or for articles submitted as a multi-part series. -No Q&A submissions will be accepted in either category. Multi-Part Series Rules Within each category of writing, authors may submit a multi-part series of related articles that: A) Have been pre-arranged by the editors and stated in the published work that the articles constitute a specified series; with the same subject matter (e.g., racing surfaces, medication) examined or profiled in each article of the series. Articles submitted under the title “occasional series” will not be accepted. Collections of articles under the title “The Year in Horse Racing” will not be accepted. B) Authors submitting a multi-part series may not submit an additional piece in the same category. They may, however, enter another category, subject to the rules outlined above. Submission in either the News/Enterprise or Feature/Commentary category excludes the candidate from submitting the same written piece in the Audio and Multi-Media Internet category. Books – Excerpts from published books, whether complete narratives or in anthology form, will not be accepted. Authors must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. I. COVER LETTER Please upload a cover letter in the Submissions Portal stating the name, date, and publication of your submission and the category you have selected. Please also send a web link of your article as proof that it was published during the time period of the competition. II. SUBMISSIONS TO THE JUDGES · Authors must submit ONE copy of each submission in common Microsoft Word format. No Zip files will be accepted. DO NOT PLACE A WEB LINK IN YOUR MICROSOFT WORD DOCUMENT TO THE JUDGES. · Submissions must appear as the article was worded in the PUBLISHED form. · At the top of your submission, you must include the date and time that the article was first published. · All Headlines, Sub-Headlines, Bylines, and Hyperlinks MUST BE REMOVED from the submission. · No publication names are permitted on the submission. · You MUST REMOVE THE NAME OF YOUR PUBLICATION EACH TIME IT APPEARS IN YOUR SUBMISSION, and insert the words “name of publication removed;” e.g. “According to a recent study by the Anywhere USA Times…” must be changed to “According to a recent study by (Name of Publication Removed)…” · Photos, graphs, charts, hyperlinks, or other graphic elements appearing within the article(s) must be deleted. · The author must indicate for which writing category the work is being submitted (e.g., “News Enterprise” or “Feature Commentary” in the cover letter). Submissions Portal Link https://www.ntra.com/eclipse-award-media-submission-portal/ 2) Photography Photography entries are limited to images for events that took place in North America. Submission must have been published in a paid-circulation publication OR on the Internet at a website that is a same-name affiliate of a paid-circulation publication, recognized broadcast news organization (e.g., The BloodHorse, the Boston Globe Online, MSNBC) or on an independent news outlet. Photographs from recognized industry outlets that have been published on paid-circulation publications or recognized broadcast news organizations will be accepted. Internet submissions that originate from blogs or social media platforms are not eligible for the competition, unless previously authorized. Submissions from recognized Thoroughbred industry outlets will be accepted as long as those submissions appear in a recognized paid circulation publication, website, television, or multimedia outlet . Submissions that appear solely on the industry outlet's website will not be accepted. I. COVER LETTER Please upload a cover letter through the Submissions Portal in an attachment stating the name, date, and publication of your photography submission. Please also send a web link of your photograph as proof that it was published during the time period of the competition. NOTE: The cover letter is to be sent as a single stand/alone attachment and not an open document in the email part of the submission. II. SUBMISSION OF PHOTOGRAPHS Photographers must submit in jpeg format one image of each photo, with NO identifying marks (e.g., photographer’s name). The submission must be accompanied by a single “Web print” in the cover letter of the published photo showing date, publication title, and photographer’s name. Note: No Zip Files will be accepted. Submissions will be judged based on the following criteria: originality, creativity, composition, and magnitude of the moment. Please note that cropping of the original photo by the editor in the picture’s final published form will be accepted. However, photographs that include color enhancement, “Photoshopping” or deliberate alteration of the image will not be allowed in the competition. Submission Portal https://www.ntra.com/eclipse-award-media-submission-portal/ 3) Television – Live Racing Programming and Features Television entries (features or live racing programming) from a recognized over-the-air, cable, or satellite outlet are to be submitted in via the weblink to the portal listed below. Your link must be accompanied by a letter detailing the name of the entrant, the date each program aired, and the name of the station or network on which it aired. Commercials must be deleted or the entry will be disqualified. However, opening billboards returning from a commercial break will be accepted. An industry outlet may submit an entry as long as that submission has aired on a recognized television outlet. Submissions related to industry promotional projects or from breeding farms will not be accepted into the competition. There are two television award categories: 1. Live Racing Programming entries must be from a live racing program of Thoroughbred horse racing. Programs with the subject matter primarily devoted to morning workouts will not be included. 2. Feature entries may be submitted as either single, stand-alone pieces, a documentary, a historical piece, a news report, or as part of a live-racing program. Entries in the Features category are limited to 120 minutes. “Medley” tapes containing more than two features of any duration, will not be accepted. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ Please be sure your entry is not password protected and that your link will open directly to your submission. 4) Audio/Multimedia Internet Audio/Multimedia Internet entries is one category combining audio (radio, podcasts) with multi-media. It is not two separate categories. All entries must have aired on a commercial or public radio station or been on the Internet at a site that is a same-name affiliate of a paid-circulation publication or recognized broadcast news organization. Entries airing exclusively on YouTube will not be accepted. Submissions from industry outlets that are published by a recognized publication will be eligible for the competition in an unedited version in either category. Submissions that appear solely on the industry outlet's website or video platform will not be accepted. All entries in this category must be limited to 60 minutes. Entries for live radio broadcasts may submit a compilation of the best work over the course of one program. ALL SUBMISSIONS MUST BE SENT AS WEB LINKS and uploaded to the Submissions Portal. https://www.ntra.com/eclipse-award-media-submission-portal/ The Audio/Multimedia Internet category may consist of audio only (e.g., a radio or Internet-based broadcast) OR a multi-media, Internet-based submission, whose components include audio. No more than two (2) individual radio or Internet-based audio broadcasts per person may be submitted. “Medley” tapes containing more than three radio shows or Webcasts of any duration, will not be accepted. The Multimedia Internet entries must have one integrated theme and be presented in a Webcast centering on a news event, subject, or feature. To be eligible, the Webcast must include at least two forms of media, one of which must be original audio. The complementary form(s) of media may be video, photographs, graphics, and/or print (e.g., a story or stories). Please note that if the entry includes video, the video must be produced as original content. The entry, in its entirety, must be retrievable from one Internet frame, with links to components of the package being considered part of the frame, provided they link back to pages within the originating Web site and not to other, external Websites. Entries that first appeared over the air or on cable television prior to appearing on the internet will not be accepted. Submission in the Multimedia Internet category excludes the candidate from submitting the same written piece in the News/Enterprise or Feature/Commentary categories. Multimedia Internet submissions must be accompanied by a letter from the editor or equivalent senior official of the website, attesting that the package is the work of the author(s) or organization that submitted it and that it appeared on the website on the date(s) in question. Authors/Producers must identify in their cover letters any sections of their submissions that have been previously published in their current form i.e., tracts of copy taken verbatim from articles or videos containing the exact same language or narration, which is being repurposed for the current entry. This information will be relayed to the judges. Audio/Multimedia Internet entries must be submitted as a single URL Web address. Commercial breaks for radio entries must be deleted or the entry will be disqualified. However, an opening “billboard” with sponsor mentions will be permitted. Submissions of Webcasts and Radio Programs must be accompanied by: 1) A letter from the Web producer or equivalent senior official of the Website attesting that the work is that of the author who submitted it and including the date the program was Webcast and the name of the website on which it aired. 2) Program title and air date of the production or webcast. 3) The name of the network, radio station, or web outlet *** NOTIFICATION OF WINNERS Winners will be notified by the NTRA no later than Thursday, January 2, 2025. --Eclipse Awards release
By Dick Downey November 1, 2024
Photos by Skip Dickstein. Award Winners: Team Kenny McPeek, Backside Learning Center, Sean Clancy, Laffit Pincay III, Tom Law, John Cherwa
By Byron King October 25, 2024
My fellow National Turf Writers and Broadcasters – I’m excited to see many of you at our 64th annual NTWAB Annual Awards Dinner on Oct. 30 and in the days to follow at our Oct. 31 general membership meeting at Del Mar or during the two-day event there on Nov. 1-2. We have a sell-out crowd of 150 attendees for our Wednesday dinner at The Brigantine as we honor Team Kenny McPeek, the Backside Learning Center, Sean Clancy and Laffit Pincay III. Thank you to our membership for your support, and those who have given their time into making this dinner a success. The awards dinner will be just down the street from Del Mar Thoroughbred Club on the outside patio at The Brigantine Del Mar, 3263 Camino Del Mar. We’ll begin with cocktails at 6 p.m., followed by dinner at 6:30, with awards presentations to follow. The Breeders’ Cup Writing Awards will also be presented during the evening. Business/cocktail attire. Valet parking is available at The Brigantine, but due to our capacity crowd, the restaurant suggests Uber or Lyft rides to best accommodate guests. For those not at Del Mar on Thursday, I hope you can join us for our membership meeting at 11 a.m. PT (2 p.m. ET) via Zoom. Here is the link . The meeting will include an update on happenings for our organization over the past year and will provide an opportunity for us to review applicants to our organization. We’ll have a follow-up from the awards dinner and also address any other items of business. The board is committed to serving the needs of our membership, and we welcome your perspective for the closing months of 2024 and as we head into 2025. If you’d like specific issues to be added to the agenda, please let me or NTWAB Secretary Jennifer Kelly know. For those on-site, the meeting will take place in the auxiliary press box. A complete agenda will be sent next week. Here is a rundown of beneficial media resources available for Breeders’ Cup coverage: · The Oct. 23 Breeders’ Cup pre-entry teleconference: https://www.breederscup.com/notes · Pre-entry past performances: https://www.equibase.com/content/bc/2024preentries.cfm · Breeders’ Cup statistics: https://stats.breederscup.com/ · Breeders’ Cup media center: https://breederscup.com/media-center · Breeders’ Cup trainer bios: https://www.equibase.com/content/BC/probabletrainers.cfm · Breeders’ Cup owner bios: https://www.equibase.com/content/BC/probableowners.cfm · Breeders’ Cup jockey bios: https://www.equibase.com/content/BC/probablejockeys.cfm · Breeders’ Cup contender profiles: https://breederscup.com/horses/pre-entries/classic · Horsemen’s guide: https://members.breederscup.com/documents/championships/HIG.PDF · Breeders’ Cup saddle towels: https://www.breederscup.com/towels Kind regards, Byron King President, NTWAB Oct. 25, 2024
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